The eighty-four pieces of studio furniture owned by the Renwick Gallery of the Smithsonian American Art Museum constitute one of the largest assemblages of American studio furniture in the nation. Three former administrators—Lloyd Herman, Michael Monroe, and Kenneth Trapp—amassed a seminal collection that samples studio furniture’s great diversity. From the carefully crafted stools of Tage Frid to the art deco chest painted by Rob Womack, from the one-of-a-kind Ghost Clock sculpture by Wendell Castle to the limited production stool by David Ebner, the collection highlights the astonishing variety of the American studio furniture movement.
