Townsend Bradley Martin

Abbott Handerson Thayer, Townsend Bradley Martin, 1919, oil on canvas, Smithsonian American Art Museum, Gift of Mrs. Grosvenor Backus, 1950.11.14
Abbott Handerson Thayer, Townsend Bradley Martin, 1919, oil on canvas, 27 5821 34 in. (70.155.2 cm.), Smithsonian American Art Museum, Gift of Mrs. Grosvenor Backus, 1950.11.14
Free to use

Artwork Details

Title
Townsend Bradley Martin
Date
1919
Dimensions
27 5821 34 in. (70.155.2 cm.)
Credit Line
Gift of Mrs. Grosvenor Backus
Mediums
Mediums Description
oil on canvas
Classifications
Subjects
  • Portrait male — Martin, Townsend Bradley — child
Object Number
1950.11.14

Artwork Description

Townsend Bradley Martin was the grandson of Henry Phipps, the business partner of steel magnate and philanthropist Andrew Carnegie. In this portrait sketch of the young boy in a garden, Townsend’s shirt nearly disappears in the foliage. Abbott Thayer was fascinated with natural history, and he developed a theory of natural camouflage that is obvious in his paintings of animals but often creeps into his portraits as well. (Nemerov, “Vanishing Americans: Abbott Thayer, Theodore Roosevelt, and the Attraction of Camouflage,” American Art, Summer 1997)

Works by this artist (70 items)

Cass Gilbert, Arches of Palace of Nero, 1933, watercolor and pencil on paper, Smithsonian American Art Museum, Bequest of Emily Finch Gilbert through Julia Post Bastedo, executor, 1962.13.67
Arches of Palace of Nero
Date1933
watercolor and pencil on paper
Not on view
Cass Gilbert, (Temple), 1927, watercolor and pencil on paper, Smithsonian American Art Museum, Bequest of Emily Finch Gilbert through Julia Post Bastedo, executor, 1962.13.58
(Temple)
Date1927
watercolor and pencil on paper
Not on view
Cass Gilbert, Porta San Paulo, Rome, 1880, watercolor and pencil on paper, Smithsonian American Art Museum, Bequest of Emily Finch Gilbert through Julia Post Bastedo, executor, 1962.13.22
Porta San Paulo, Rome
Date1880
watercolor and pencil on paper
Not on view

More Artworks from the Collection

William H. Johnson, Tunisian Street Scene with Figures, ca. 1932, watercolor and pencil on paper, Smithsonian American Art Museum, Gift of the Harmon Foundation, 1967.59.38
Tunisian Street Scene with Figures
Dateca. 1932
watercolor and pencil on paper
Not on view
Edward Morton, Loggers, 1937, watercolor and pencil on paper, Smithsonian American Art Museum, Transfer from the General Services Administration, 1974.28.150
Loggers
Date1937
watercolor and pencil on paper
Not on view
Terry Schoonhoven, Study for Morning Room Murals, U. S. Court of Appeals, Pasadena, California, 1984, watercolor, pen and ink, and pencil on paper, Smithsonian American Art Museum, Transfer from the General Services Administration, 1987.13.1
Study for Morning Room Murals, U. S. Court of Appeals,…
Date1984
watercolor, pen and ink, and pencil on paper
Not on view
Stone Cutters (mural study, Rockport, Massachusetts Post…
Dateca. 1935-1943
watercolor, pencil and pen and ink on paperboard
Not on view