Trout

John V. Snow, Sr., Trout, 1990, oil on basswood, copper, and lead with glass, Smithsonian American Art Museum, Gift of the artist, 1991.103.2
John V. Snow, Sr., Trout, 1990, oil on basswood, copper, and lead with glass, 28 183 in. (5.220.77.7 cm.), Smithsonian American Art Museum, Gift of the artist, 1991.103.2

Artwork Details

Title
Trout
Date
1990
Dimensions
28 183 in. (5.220.77.7 cm.)
Credit Line
Gift of the artist
Mediums Description
oil on basswood, copper, and lead with glass
Classifications
Subjects
  • Object — other — fish decoy
  • Animal — fish — trout
Object Number
1991.103.2

Artwork Description

Carved fish decoys are one of the earliest forms of American folk art. Hunters around the Bering Sea first used small bone or ivory decoys for ice fishing around 1000 AD. They believed that the decoys embodied the innua, or inner spirit of the fish. The practice spread to upstate New York and the Great Lakes, where it became a tourist industry with many communities growing around prime fishing areas. Ice fishing was banned in 1905, however, because the popularity of the sport had brought about a serious decline in large game fish. During the Depression, many hunters and fishermen turned again to fish spearing for survival. The decoys from this period are simpler, focusing on realistic shapes, colors, and movement rather than fanciful decoration (Steven Michaan, American Fish Decoys, 2003).

Works by this artist (4 items)

Weegee, Audience watching "House on Haunted Hill", 1959, gelatin silver print, Smithsonian American Art Museum, Museum purchase, 1988.45, © 1950, Wilma Wilcox, Curator Weegee Collection
Audience watching House on Haunted Hill”
Artist
Date1959
gelatin silver print
Not on view
Weegee, Rehearsal, Yiddish Theatre, 1943, gelatin silver print, Smithsonian American Art Museum, Gift of Virginia Zabriskie, 1983.110.9, © 1942, Wilma Wilcox, Curator Weegee Collection
Rehearsal, Yiddish Theatre
Artist
Date1943
gelatin silver print
Not on view
Weegee, Celebration at End of War, ca. 1945, gelatin silver print, Smithsonian American Art Museum, Museum purchase, 1974.32.4
Celebration at End of War
Artist
Dateca. 1945
gelatin silver print
Not on view
Weegee, An incident in the snowstorm. Rag peddler Sam Karshnowitz leads a horse along the street in a bitter snowstorm. The horse has been rented for the day to pull his wagon., 1944, gelatin silver print, Smithsonian American Art Museum, Museum purchase through the Luisita L. and Franz H. Denghausen Endowment, 2016.40.13, © Weegee / International Center for Photography
An incident in the snowstorm. Rag peddler Sam Karshnowitz…
Artist
Date1944
gelatin silver print
Not on view

More Artworks from the Collection

Bently
Dateca. 1975
gelatin silver print
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Eugene Von Bruenchenhein, Untitled, ca. 1945-1950, gelatin silver print, Smithsonian American Art Museum, Gift of Lewis and Jean Greenblatt, 2002.86.9
Untitled
Dateca. 1945-1950
gelatin silver print
Not on view
Eugene Von Bruenchenhein, Untitled, ca. 1945-1950, gelatin silver print, Smithsonian American Art Museum, Gift of Lewis and Jean Greenblatt, 2002.86.7
Untitled
Dateca. 1945-1950
gelatin silver print
Not on view
Jared French, Margaret French, PaJaMa, Paul Cadmus, PaJaMa (Box A), ca. 1937, gelatin silver prints, Smithsonian American Art Museum, Bequest of Margaret French, 1999.98.5.16
PaJaMa (Box A)
Dateca. 1937
gelatin silver prints
Not on view