Tambo

Melvin Edwards, Tambo, 1993, welded steel, 28 1825 1422 in. (71.564.255.9 cm.), Smithsonian American Art Museum, Museum purchase through the Luisita L. and Franz H. Denghausen Endowment and the Smithsonian Institution Collections Acquisition Program, 1994.55, © 1993, Melvin Edwards

Artwork Details

Title
Tambo
Date
1993
Dimensions
28 1825 1422 in. (71.564.255.9 cm.)
Copyright
© 1993, Melvin Edwards
Credit Line
Museum purchase through the Luisita L. and Franz H. Denghausen Endowment and the Smithsonian Institution Collections Acquisition Program
Mediums
Mediums Description
welded steel
Classifications
Subjects
  • Abstract — geometric
  • Object — tool — shovel
  • Object — weapon — spear
  • Object — tool — wrench
Object Number
1994.55

Artwork Description

Edwards created Tambo in 1993 to commemorate Oliver Tambo, the president of the African National Congress, who, with Nelson Mandela, transformed the ANC in the mid-1940s into an activist organization that called on South Africa’s black population to engage in nonviolent forms of civil disobedience against apartheid laws. Tambo is a sculpture of allusion and history, an assemblage of steel implements that speak to their original industrial origins, and to metaphorical possibilities. The I-beam fragments and wrenches allude to Tambo’s efforts to repair society; the shovel and spear symbolically honor the son of peasant farmers who devoted his life to securing equality for South Africa’s black residents.


African American Art: Harlem Renaissance, Civil Rights Era, and Beyond, 2012

Works by this artist (5 items)

Peter Voulkos, Maquette for Barking Sands, ca. 1977, hammered, welded and patinated bronze, Smithsonian American Art Museum, Transfer from the General Services Administration, Art-in-Architecture Program, 1977.47.30, © 1977, Peter Voulkos
Maquette for Barking Sands
Dateca. 1977
hammered, welded and patinated bronze
On view
Peter Voulkos, Untitled, 1976, thrown, hand-shaped, incised, pierced, oxide-washed, and glazed stoneware and porcelain, Smithsonian American Art Museum, Gift of KPMG Peat Marwick, 1993.54.21, © 1976, Voulkos Family Trust
Untitled
Date1976
thrown, hand-shaped, incised, pierced, oxide-washed, and glazed stoneware and porcelain
Not on view
Peter Voulkos, Hole in One, 1978, ceramic, Smithsonian American Art Museum, Bequest of Edith S. and Arthur J. Levin, 2005.5.73, © 1978, Voulkos Family Trust
Hole in One
Date1978
ceramic
Not on view
Peter Voulkos, Lidded Jar, ca. 1955, glazed stoneware, Smithsonian American Art Museum, Museum purchase, 1996.54A-B
Lidded Jar
Dateca. 1955
glazed stoneware
Not on view

Exhibitions

Media - 1995.22.1 - SAAM-1995.22.1_1 - 65784
African American Art in the 20th Century
The Smithsonian American Art Museum is home to one of the most significant collections of African American art in the world.

More Artworks from the Collection

Maria Faedo, The Birthing Album, 1994, graphite on paper sewn to wool; steel wire, Smithsonian American Art Museum, Museum purchase through the Smithsonian Latino Initiatives Pool and the Smithsonian Institution Collections Acquisition Program, 1995.34
The Birthing Album
Date1994
graphite on paper sewn to wool; steel wire
Not on view