The Protagonist of an Endless Story

Angel Rodríguez-Díaz, The Protagonist of an Endless Story, 1993, oil on canvas, Smithsonian American Art Museum, Museum purchase made possible in part by the Smithsonian Latino Initiatives Pool and the Smithsonian Institution Collections Acquisition Program, 1996.19, © 1993, Angel Rodriguez-Diaz
Angel Rodríguez-Díaz, The Protagonist of an Endless Story, 1993, oil on canvas, 7257 78 in. (182.9147.0 cm.), Smithsonian American Art Museum, Museum purchase made possible in part by the Smithsonian Latino Initiatives Pool and the Smithsonian Institution Collections Acquisition Program, 1996.19, © 1993, Angel Rodriguez-Diaz

Artwork Details

Title
The Protagonist of an Endless Story
Date
1993
Location
Not on view
Dimensions
7257 78 in. (182.9147.0 cm.)
Copyright
© 1993, Angel Rodriguez-Diaz
Credit Line
Museum purchase made possible in part by the Smithsonian Latino Initiatives Pool and the Smithsonian Institution Collections Acquisition Program
Mediums
Mediums Description
oil on canvas
Classifications
Subjects
  • Landscape — plant
  • Occupation — writer — poet
  • Occupation — writer — novelist
  • Portrait female — Cisneros, Sandra — knee length
Object Number
1996.19

Artwork Description

Known for his richly textured and painterly style, Angel Rodríguez-Díaz spent the last several decades painting portraits of important cultural icons of San Antonio and the Southwestern United States. The "protagonist" of this painting is renowned Chicana novelist and poet Sandra Cisneros, best known for her debut novel, The House on Mango Street. Cisneros stands before a fiery sunset, dressed in a traditional Mexican skirt embroidered with sequined imagery that refers to her profession as a writer. Her commanding pose, reminiscent of historic European portraiture, proclaims that she will endure in her native landscape. In the work's title, as well as its composition, the artist asserts that Chicanx culture will not be erased.

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Works by this artist (6 items)

Aaron J. Goodelman, Kultur, 1939, pearwood and found iron shackle and chain, Smithsonian American Art Museum, Gift of Mrs. Sarah Goodelman, 1981.44.1, © ca. 1940, Aaron Goodelman
Kultur
Date1939
pearwood and found iron shackle and chain
On view
Aaron J. Goodelman, Man with Wheelbarrow, ca. 1933, granite, Smithsonian American Art Museum, Gift of Mrs. Sarah Goodelman, 1981.44.3, © ca. 1933, Aaron Goodelman
Man with Wheelbarrow
Dateca. 1933
granite
On view
Aaron J. Goodelman, Happy Landing, ca. 1930, Tennessee marble, Smithsonian American Art Museum, Gift of Mrs. Sarah Goodelman, 1981.44.4, © ca. 1930, Aaron Goodelman
Happy Landing
Dateca. 1930
Tennessee marble
On view
Aaron J. Goodelman, Untitled (Men Lifting), 1933, cast and painted plaster, Smithsonian American Art Museum, Gift of Mrs. Sarah Goodelman, 1981.44.5, © 1933, Aaron Goodelman
Untitled (Men Lifting)
Date1933
cast and painted plaster
Not on view

More Artworks from the Collection

Jesús Moroles, Georgia Stele, 1999, Georgia gray granite, Smithsonian American Art Museum, Gift of the artist, 1999.25
Georgia Stele
Date1999
Georgia gray granite
Not on view
Miles Stafford Rolph, Dr. Wetmore, 1967, bronze on granite base, Smithsonian American Art Museum, Museum purchase, 1967.115
Dr. Wetmore
Date1967
bronze on granite base
Not on view
Bessie Stough Callender, Torso, ca. 1930, granite on marble base, Smithsonian American Art Museum, Bequest of Harold Callender, 1960.8.5
Torso
Dateca. 1930
granite on marble base
On view
Wedge 1982
Date1982
granite and steel
Not on view