The Protagonist of an Endless Story

Angel Rodríguez-Díaz, The Protagonist of an Endless Story, 1993, oil on canvas, Smithsonian American Art Museum, Museum purchase made possible in part by the Smithsonian Latino Initiatives Pool and the Smithsonian Institution Collections Acquisition Program, 1996.19, © 1993, Angel Rodriguez-Diaz
Angel Rodríguez-Díaz, The Protagonist of an Endless Story, 1993, oil on canvas, 7257 78 in. (182.9147.0 cm.), Smithsonian American Art Museum, Museum purchase made possible in part by the Smithsonian Latino Initiatives Pool and the Smithsonian Institution Collections Acquisition Program, 1996.19, © 1993, Angel Rodriguez-Diaz

Artwork Details

Title
The Protagonist of an Endless Story
Date
1993
Location
Not on view
Dimensions
7257 78 in. (182.9147.0 cm.)
Copyright
© 1993, Angel Rodriguez-Diaz
Credit Line
Museum purchase made possible in part by the Smithsonian Latino Initiatives Pool and the Smithsonian Institution Collections Acquisition Program
Mediums
Mediums Description
oil on canvas
Classifications
Subjects
  • Landscape — plant
  • Occupation — writer — poet
  • Occupation — writer — novelist
  • Portrait female — Cisneros, Sandra — knee length
Object Number
1996.19

Artwork Description

Known for his richly textured and painterly style, Angel Rodríguez-Díaz spent the last several decades painting portraits of important cultural icons of San Antonio and the Southwestern United States. The "protagonist" of this painting is renowned Chicana novelist and poet Sandra Cisneros, best known for her debut novel, The House on Mango Street. Cisneros stands before a fiery sunset, dressed in a traditional Mexican skirt embroidered with sequined imagery that refers to her profession as a writer. Her commanding pose, reminiscent of historic European portraiture, proclaims that she will endure in her native landscape. In the work's title, as well as its composition, the artist asserts that Chicanx culture will not be erased.

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Works by this artist (1036 items)

William H. Johnson, Self-Portrait, ca. 1923-1926, oil on canvas, Smithsonian American Art Museum, Gift of the Harmon Foundation, 1967.59.679
Self-Portrait
Dateca. 1923-1926
oil on canvas
On view
William H. Johnson, Young Pastry Cook, ca. 1928-1930, oil on canvas, Smithsonian American Art Museum, Gift of the Harmon Foundation, 1967.59.693
Young Pastry Cook
Dateca. 1928-1930
oil on canvas
On view
William H. Johnson, Portrait of a Man, ca. 1935-1938, oil on burlap, Smithsonian American Art Museum, Gift of the Harmon Foundation, 1967.59.814
Portrait of a Man
Dateca. 1935-1938
oil on burlap
On view
William H. Johnson, Ferry Boat Trip, ca. 1943-1944, oil on paperboard, Smithsonian American Art Museum, Gift of the Harmon Foundation, 1967.59.1011
Ferry Boat Trip
Dateca. 1943-1944
oil on paperboard
On view

More Artworks from the Collection

As Nantucket Harbor Looked in the Hey-Day
Dateca. 1959
watercolor, tempera, and pencil on paper
Not on view
William H. Johnson, Breakdown, ca. 1940-1941, tempera, pen and ink and pencil on paper, Smithsonian American Art Museum, Gift of the Harmon Foundation, 1967.59.1103
Breakdown
Dateca. 1940-1941
tempera, pen and ink and pencil on paper
Not on view
William Zorach, Untitled (mural study), ca. 1941-1943, oil, tempera and pencil on plywood, Smithsonian American Art Museum, Gift from the collection of Tessim Zorach, 1968.154.87A
Untitled (mural study)
Dateca. 1941-1943
oil, tempera and pencil on plywood
Not on view
Unidentified, William H. Johnson, Female Nude Lying on Side, ca. 1939-1940, recto: tempera on paper
verso: pencil on paper, Smithsonian American Art Museum, Gift of the Harmon Foundation, 1967.59.235R-V
Female Nude Lying on Side
Artist
Dateca. 1939-1940
recto: tempera on paper verso: pencil on paper
Not on view