Public Transit Areas, California Ave. and Anaheim St., Looking North, from the Long Beach Documentary Survey Project

Anthony Hernandez, Public Transit Areas, California Ave. and Anaheim St., Looking North, from the Long Beach Documentary Survey Project, 1980, gelatin silver print, Smithsonian American Art Museum, Transfer from the National Endowment for the Arts, 1983.63.682, © 1980, Anthony Hernandez
Anthony Hernandez, Public Transit Areas, California Ave. and Anaheim St., Looking North, from the Long Beach Documentary Survey Project, 1980, gelatin silver print, image: 13 5818 14 in. (34.646.4 cm) sheet: 1620 in. (40.650.8 cm), Smithsonian American Art Museum, Transfer from the National Endowment for the Arts, 1983.63.682, © 1980, Anthony Hernandez

Artwork Details

Title
Public Transit Areas, California Ave. and Anaheim St., Looking North, from the Long Beach Documentary Survey Project
Date
1980
Location
Not on view
Dimensions
image: 13 5818 14 in. (34.646.4 cm) sheet: 1620 in. (40.650.8 cm)
Copyright
© 1980, Anthony Hernandez
Credit Line
Transfer from the National Endowment for the Arts
Mediums Description
gelatin silver print
Classifications
Subjects
  • Object — furniture — bench
  • Cityscape — street — Anaheim Street
  • Cityscape — street — California Avenue
  • Cityscape — California — Long Beach
  • State of being — other — waiting
  • Figure male — full length
Object Number
1983.63.682

Works by this artist (4 items)

Avery F. Johnson, The Isabelle, ca. late 1930s, watercolor and gouache on paper, Smithsonian American Art Museum, Transfer from the General Services Administration, 1980.128.2
The Isabelle
Dateca. late 1930s
watercolor and gouache on paper
Not on view
Avery F. Johnson, Skating on Bonaparte's Pond (mural study, Bordentown, New Jersey Post Office), ca. 1940, oil on canvas mounted on paperboard, Smithsonian American Art Museum, Transfer from the U.S. Department of the Interior, National Park Service, 1965.18.6
Skating on Bonaparte’s Pond (mural study, Bordentown, New…
Dateca. 1940
oil on canvas mounted on paperboard
Not on view
Avery F. Johnson, United States Coast Guard Wet, 1934, watercolor, tempera and pencil on paper, Smithsonian American Art Museum, Transfer from the U.S. Department of the Interior, National Park Service, 1965.18.93
United States Coast Guard Wet
Date1934
watercolor, tempera and pencil on paper
Not on view
Avery F. Johnson, Low Tide, ca. late 1930s, watercolor on paper, Smithsonian American Art Museum, Transfer from the General Services Administration, 1980.128.3
Low Tide
Dateca. late 1930s
watercolor on paper
Not on view

Exhibitions

Photograph of children playing in the water from a fire hydrant by Hiram Maristany
Down These Mean Streets: Community and Place in Urban Photography
May 11, 2017August 5, 2017
America’s urban streets have long inspired documentary photographers. After World War II, populations shifted from the city to the suburbs and newly built highways cut through thriving neighborhoods, leaving isolated pockets within major urban centers.