Public Transit Areas, Magnolia Ave. and Anaheim St., Looking North, from the Long Beach Documentary Survey Project

Anthony Hernandez, Public Transit Areas, Magnolia Ave. and Anaheim St., Looking North, from the Long Beach Documentary Survey Project, 1980, gelatin silver print, Smithsonian American Art Museum, Transfer from the National Endowment for the Arts, 1983.63.681, © 1980, Anthony Hernandez
Anthony Hernandez, Public Transit Areas, Magnolia Ave. and Anaheim St., Looking North, from the Long Beach Documentary Survey Project, 1980, gelatin silver print, image: 12 1⁄2 in. x 18 in. (31.7 x 45.7 cm) sheet: 16 x 20 in. (40.6 x 50.8 cm), Smithsonian American Art Museum, Transfer from the National Endowment for the Arts, 1983.63.681, © 1980, Anthony Hernandez

Artwork Details

Title
Public Transit Areas, Magnolia Ave. and Anaheim St., Looking North, from the Long Beach Documentary Survey Project
Artist
Date
1980
Location
Not on view
Dimensions
image: 12 1⁄2 in. x 18 in. (31.7 x 45.7 cm) sheet: 16 x 20 in. (40.6 x 50.8 cm)
Copyright
© 1980, Anthony Hernandez
Credit Line
Transfer from the National Endowment for the Arts
Mediums Description
gelatin silver print
Classifications
Subjects
  • Figure male — full length
  • State of being — other — waiting
  • Cityscape — California — Long Beach
  • Architecture Exterior — other — parking lot
  • Cityscape — street — Anaheim Street
  • Cityscape — street — Magnolia Avenue
Object Number
1983.63.681
Linked Open Data
https://edan.si.edu/saam/id/object/1983.63.681

Works by this artist (4 items)

Robert Birmelin, City Crowd Study--A Street Event, 1983, acrylic on canvas, Smithsonian American Art Museum, Gift of Mr. Louis F. Polk, 1986.74
City Crowd Study – A Street Event
Artist
Date1983
acrylic on canvas
Not on view
Robert Birmelin, Wristwatch, 1971, ink, ink wash and pencil on paper, Smithsonian American Art Museum, Gift of the Sara Roby Foundation, 1986.6.5
Wristwatch
Artist
Date1971
ink, ink wash and pencil on paper
Not on view
Robert Birmelin, Dalles Dam, Evening, 1975, acrylic on canvas, Smithsonian American Art Museum, Gift of the Sara Roby Foundation, 1986.6.4
Dalles Dam, Evening
Artist
Date1975
acrylic on canvas
Not on view
Robert Birmelin, Concrete Viaduct, 1960, conte crayon on paper, Smithsonian American Art Museum, Gift of the Sara Roby Foundation, 1985.30.1
Concrete Viaduct
Artist
Date1960
conte crayon on paper
Not on view

Exhibitions

Photograph of children playing in the water from a fire hydrant by Hiram Maristany
Down These Mean Streets: Community and Place in Urban Photography
May 11, 2017–August 5, 2017
Smithsonian American Art Museum
America’s urban streets have long inspired documentary photographers. After World War II, populations shifted from the city to the suburbs and newly built highways cut through thriving neighborhoods, leaving isolated pockets within major urban centers.

More Artworks from the Collection

Browse All Artworks
Valeri Timofeev, Chalice, 1995, fine and sterling silver, 24k gold plate, 24k gold foil, garnets, pearls, turquoise, hematite, tiger's eye, filigree wire, and plique-a-jour on Thompson and Blythe enamels, Smithsonian American Art Museum, Gift of the James Renwick Alliance, 1996.29
Chalice
Artist
Date1995
fine and sterling silver, 24k gold plate, 24k gold foil, garnets, pearls, turquoise, hematite, tiger's eye, filigree wire, and plique-a-jour on Thompson and Blythe enamels
Not on view
James I. Meyer, George Washington Belt Buckle, 1974, sterling silver, 14k gold, and ruby, Smithsonian American Art Museum, Museum purchase, 1975.158
George Washington Belt Buckle
Artist
Date1974
sterling silver, 14k gold, and ruby
Not on view
Earl Pardon, Bracelet #1962, 1991, sterling silver, 14k gold, enamels with gilt, blue and yellow topaz, amethysts, rhodolite, Smithsonian American Art Museum, Gift of the James Renwick Alliance, Linda Lichtenberg Kaplan and Dr. Louis D. Kaplan in honor of Kenneth R. Trapp, and Colleen and John Kotelly, 2003.40
Bracelet #1962
Artist
Date1991
sterling silver, 14k gold, enamels with gilt, blue and yellow topaz, amethysts, rhodolite
Not on view
Marianne Hunter, William Hunter, Evening Blossom, 1989, ebony, 24k gold, sterling silver, enamel, amethyst, and charoite, Smithsonian American Art Museum, Gift of Fleur and Charles Bresler in honor of Kenneth R. Trapp, curator-in-charge of the Renwick Gallery (1995--2003), 2003.60.26A-C, © 1989, William and Marianne Hunter
Evening Blossom
Artist
Date1989
ebony, 24k gold, sterling silver, enamel, amethyst, and charoite
Not on view