Practice Bomber Range in the Mississippi Flyway

Terese Agnew, Practice Bomber Range in the Mississippi Flyway, 1999-2002, cottons, bridal tulle, and denim, Smithsonian American Art Museum, Gift of S & R Pieper Family, 2003.49, © 2002, Terese Agnew
Terese Agnew, Practice Bomber Range in the Mississippi Flyway, 1999-2002, cottons, bridal tulle, and denim, 8095 in. (203.2241.3 cm), Smithsonian American Art Museum, Gift of S & R Pieper Family, 2003.49, © 2002, Terese Agnew

Artwork Details

Title
Practice Bomber Range in the Mississippi Flyway
Artist
Date
1999-2002
Location
Not on view
Dimensions
8095 in. (203.2241.3 cm)
Copyright
© 2002, Terese Agnew
Credit Line
Gift of S & R Pieper Family
Mediums Description
cottons, bridal tulle, and denim
Classifications
Subjects
  • Figure group
  • Landscape — farm
  • Landscape — Mississippi
  • Landscape — bird’s eye view
  • Architecture Exterior — farm — barn
  • Object — tool — magnifying glass
Object Number
2003.49

Works by this artist (1036 items)

William H. Johnson, Self-Portrait, ca. 1923-1926, oil on canvas, Smithsonian American Art Museum, Gift of the Harmon Foundation, 1967.59.679
Self-Portrait
Dateca. 1923-1926
oil on canvas
On view
William H. Johnson, Young Pastry Cook, ca. 1928-1930, oil on canvas, Smithsonian American Art Museum, Gift of the Harmon Foundation, 1967.59.693
Young Pastry Cook
Dateca. 1928-1930
oil on canvas
On view
William H. Johnson, Portrait of a Man, ca. 1935-1938, oil on burlap, Smithsonian American Art Museum, Gift of the Harmon Foundation, 1967.59.814
Portrait of a Man
Dateca. 1935-1938
oil on burlap
On view
William H. Johnson, The Breakdown, ca. 1940-1941, oil on plywood, Smithsonian American Art Museum, Gift of the Harmon Foundation, 1967.59.589
The Breakdown
Dateca. 1940-1941
oil on plywood
On view

Exhibitions

Media - 2016.11 - SAAM-2016.11_6 - 124929
Connections: Contemporary Craft at the Renwick Gallery
November 13, 2015March 6, 2022
Connections is the Renwick Gallery’s dynamic ongoing permanent collection presentation, featuring more than 80 objects celebrating craft as a discipline and an approach to living differently in the modern world.

More Artworks from the Collection

Welmon Sharlhorne, Untitled (Building with Recessed Entrance and Black Foreground), ca. 1992, ink on manila envelope, Smithsonian American Art Museum, Gift of Chuck and Jan Rosenak and museum purchase through the Luisita L. and Franz H. Denghausen Endowment, 1997.124.135
Untitled (Building with Recessed Entrance and Black…
Dateca. 1992
ink on manila envelope
Not on view
Andrea Way, Bones, 1987, ink on paper, Smithsonian American Art Museum, Gift of Tom and Judy Brody, 2009.38.3, © 1987, Andrea Way
Bones
Date1987
ink on paper
Not on view
William H. Johnson, Bearded Man, ca. 1935, pen and ink on paper, Smithsonian American Art Museum, Gift of the Harmon Foundation, 1967.59.378
Bearded Man
Dateca. 1935
pen and ink on paper
Not on view
Welmon Sharlhorne, Bus, ca. 1992, ink on manila envelope, Smithsonian American Art Museum, Gift of Chuck and Jan Rosenak and museum purchase through the Luisita L. and Franz H. Denghausen Endowment, 1997.124.134
Bus
Dateca. 1992
ink on manila envelope
Not on view