Connections: Contemporary Craft at the Renwick Gallery

Media - 2016.11 - SAAM-2016.11_6 - 124929

Debra Baxter, Devil Horns Crystal Brass Knuckles (Lefty), 2015, quartz crystal and sterling silver, Smithsonian American Art Museum, Gift of the artist in honor of Joanna and David Baxter, 2016.11, © 2015, Debra Baxter; Photo by Kim Richardson.

Connections is the Renwick Gallery’s dynamic ongoing permanent collection presentation, featuring more than 80 objects celebrating craft as a discipline and an approach to living differently in the modern world. The installation includes iconic favorites alongside new acquisitions. The arrangement breaks from typical display formats based on chronology or material to instead focus on the interconnectivity of objects and the overlapping stories they tell. The installation does away with hierarchical distinctions and the idea of the curator’s voice as absolute authority, instead presenting works that engender ever-evolving associations and interpretations. Objects are loosely thematically organized to mimic an analog version of the Web, using an associative approach derived from the way we navigate today’s hyperlinked” world. Visitors are encouraged to find their own path through a vast network of possibilities that highlight explicit connections as well as subtle, unexpected resonances among the artworks on view.

Craft objects do not exist in a vacuum. Each artwork tells many stories, and each is made even more interesting through relationships to other objects and ideas. As that object continues to develop meanings and spawn questions through contact with other artworks, it remains vital in a changing world.”

Nora Atkinson, The Fleur and Charles Bresler Curator-in-Charge, Renwick Gallery

Description

In selecting both pioneering and contemporary pieces, Atkinson also explores the underlying current of craft as a balancing, humanistic force in the face of an ever-more efficiency-driven, virtual world. The installation highlights the evolution of the craft field as it transitions into a new phase at the hands of contemporary artists, showcasing the activist values, optimism, and uninhibited approach of today’s young artists, which in some way echoes the communal spirit and ideology of the pioneers of the American Studio Craft Movement in their heyday.

The artworks range from the 1930s through today and span numerous media. New acquisitions such as Mary Jackson’s Vase with Handle, Josh Simpson’s Megaplanet, and Akio Takamori’s Green Mountain and Ochre Landscape make their debut in the gallery while seminal works including Wendell Castle’s Ghost Clock, Karen LaMonte’s Reclining Dress Impression with Drapery, Albert Paley’s Portal Gates, and Kim Schmahmann’s Bureau of Bureaucracy return to view.

Visiting Information

Closing March 62022
Open Daily, 10:00 a.m.–5:30 p.m
Free Admission

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      Connections: Contemporary Craft at the Renwick Gallery highlights the evolution of the craft field as it transitions into a new phase at the hands of contemporary artists, which in some way echoes the communal spirit and ideology of the pioneers of the American Studio Craft Movement in their heyday.

      Credit

      The Henry Luce Foundation and the Windgate Charitable Foundation generously support the reinstallation of the Renwick’s permanent collection.

      Online Gallery

      Terese Agnew, Practice Bomber Range in the Mississippi Flyway, 1999-2002, cottons, bridal tulle, and denim, Smithsonian American Art Museum, Gift of S & R Pieper Family, 2003.49, © 2002, Terese Agnew
      Practice Bomber Range in the Mississippi Flyway
      Date1999-2002
      cottons, bridal tulle, and denim
      Not on view
      Debra Baxter, Devil Horns Crystal Brass Knuckles (Lefty), 2015, quartz crystal and sterling silver, Smithsonian American Art Museum, Gift of the artist in honor of Joanna and David Baxter, 2016.11, © 2015, Debra Baxter. Photo: Kim Richardson
      Devil Horns Crystal Brass Knuckles (Lefty)
      Date2015
      quartz crystal and sterling silver
      Not on view
      Jamie Bennett, Coral Tesserae, 1984, enameled copper, fine silver, and black chrome on sterling silver, Smithsonian American Art Museum, Gift of Donna Schneier and Leonard Goldberg, 2015.59
      Coral Tesserae
      Date1984
      enameled copper, fine silver, and black chrome on sterling silver
      Not on view
      Melanie Bilenker, Dresser Drawer, 2011, hair, paper, walnut, gold, crystal, and brass, Smithsonian American Art Museum, Museum purchase made possible by the Charles and Margret Craver Withers Bequest, 2013.54.1, © 2011, Melanie Bilenker
      Dresser Drawer
      Date2011
      hair, paper, walnut, gold, crystal, and brass
      Not on view
      Wendell Castle, Ghost Clock, 1985, bleached Honduras mahogany, Smithsonian American Art Museum, Museum purchase through the Smithsonian Institution Collections Acquisition Program, 1989.68, © 1985, Wendell Castle
      Ghost Clock
      Date1985
      bleached Honduras mahogany
      Not on view
      Dale Chihuly, Blanket Cylinder Series, 1984, glass, Smithsonian American Art Museum, Gift of Eleanor T. and Samuel J. Rosenfeld, 2002.8.1, © 1984, Dale Chihuly
      Blanket Cylinder Series
      Date1984
      glass
      Not on view
      Kathryn Clark, Washington, D.C. Foreclosure Quilt, 2015, linen, cotton, and recycled thread, Smithsonian American Art Museum, Museum purchase through the Stephen D. Thurston Memorial Fund, 2015.40, © 2015, Kathryn Clark
      Washington, D.C. Foreclosure Quilt
      Date2015
      linen, cotton, and recycled thread
      Not on view
      Dan Dailey, Parkman Coupe, 1988, glass and bronze, Smithsonian American Art Museum, Gift of Elmerina and Paul Parkman, 1999.89.5, © 1988, Dan Dailey
      Parkman Coupe
      Date1988
      glass and bronze
      Not on view
      Erik Demaine, Martin Demaine, Hugging Circles, 2011, Zanders Elefantenhaut paper (elephant hide paper), Smithsonian American Art Museum, Gift of the artists in honor of the fortieth anniversary of the Renwick Gallery, 2011.54.2, © 2011, Erik and Martin Demaine
      Hugging Circles
      Date2011
      Zanders Elefantenhaut paper (elephant hide paper)
      Not on view
      Joshua DeMonte, Curtains and Balcony Bracelet, 2008, 33% glass-filled polyamide, Smithsonian American Art Museum, Gift of Irene and Bob Sinclair, 2013.9, © 2008, Joshua DeMonte
      Curtains and Balcony Bracelet
      Date2008
      33% glass-filled polyamide
      Not on view
      Joyce Scott, Africa, ca. 1980, glass beads on synthetic thread, Smithsonian American Art Museum, Gift of Eleanor T. and Samuel J. Rosenfeld in honor of Kenneth R. Trapp, curator-in-charge of the Renwick Gallery (1995--2003), 2003.58, © ca. 1980, Joyce Scott
      Africa
      Dateca. 1980
      glass beads on synthetic thread
      Not on view
      Brian Dettmer, The March of Democracy, 2010, altered books, Smithsonian American Art Museum, Gift of the James F. Dicke Family, 2013.55, © 2010, Brian Dettmer
      The March of Democracy
      Date2010
      altered books
      Not on view
      Charles Eames, Ray Eames, Leg Splint, 1942, plywood, Smithsonian American Art Museum, Gift of Harish K. Patel in memory of his father Khodabhai C. Patel, 2001.19
      Leg Splint
      Date1942
      plywood
      Not on view
      David Ellsworth, Black Pot, 1994, white ash, Smithsonian American Art Museum, Gift of Jane and Arthur K. Mason on the occasion of the 25th anniversary of the Renwick Gallery, 1996.98.2
      Black Pot
      Date1994
      white ash
      Not on view
      Larry Fuente, Game Fish, 1988, fiberglass, black auto-body type epoxy resin, polyurethane resin, plywood, plastic found objects including beads, buttons, poker chips, badminton birdies, ping pong balls, rhinestones, coins, dice, plastic figurines, combs, miniature pinball games, dominoes, chess pieces, pool balls, etc., Smithsonian American Art Museum, Gift of the James Renwick Alliance and museum purchase through the Smithsonian Institution Collections Acquisition Program, 1991.61, © 1988, Larry Fuente
      Game Fish
      Date1988
      fiberglass, black auto-body type epoxy resin, polyurethane resin, plywood, plastic found objects including beads, buttons, poker chips, badminton birdies, ping pong balls, rhinestones, coins, dice, plastic figurines, combs, miniature pinball games,
      On view
      Michael Izrael Galmer, Lemon Set, 2006, sterling silver and 24k gold plate, Smithsonian American Art Museum, Gift of the artist, 2017.16.1A-F, © 2006, Michael Izrael Galmer
      Lemon Set
      Date2006
      sterling silver and 24k gold plate
      Not on view
      Robly A. Glover, Stop, 2017, nickel silver, chrome-plated steel, and cork, Smithsonian American Art Museum, Gift of the artist in honor of Patricia and Robly A. Glover, Sr., 2018.10, (c) 2018, Robly A. Glover
      Stop
      Date2017
      nickel silver, chrome-plated steel, and cork
      Not on view
      John Grade, Shoal (Bone Shoal Sonance), 2003, limba and shedua, Smithsonian American Art Museum, Gift of Driek and Michael Zirinsky in honor of Sam and Elizabeth Davidson, 2015.28.2, © John Grade
      Shoal (Bone Shoal Sonance)
      Date2003
      limba and shedua
      Not on view
      Myra Mimlitsch Gray, Sugar Bowl and Creamer III, 1996, copper, Smithsonian American Art Museum, Gift of the James Renwick Alliance on the occasion of the 25th anniversary of the Renwick Gallery, 1997.56A-B
      Sugar Bowl and Creamer III
      Date1996
      copper
      Not on view
      Sabrina Gschwandtner, Fibers and Civilization (1959), 2009, 16 mm film and polyamide thread, Smithsonian American Art Museum, Museum purchase through the Barbara Coffey Quilt Endowment, 2013.1, © 2009, Sabrina Gschwandtner
      Fibers and Civilization (1959)
      Date2009
      16 mm film and polyamide thread
      Not on view
      William Harper, Nine Tantric Amulets for Jasper Johns, 1994, gold cloisonné enamel on fine silver with 24k, 22k, 18k, and 14k gold, pearls, garnet, tourmaline, and peridot, Smithsonian American Art Museum, Gift of Frances and Sydney Lewis, 2002.11, © 1994, William Harper
      Nine Tantric Amulets for Jasper Johns
      Date1994
      gold cloisonné enamel on fine silver with 24k, 22k, 18k, and 14k gold, pearls, garnet, tourmaline, and peridot
      Not on view
      Wayne Higby, Temple's Gate Pass, 1988, earthenware and glaze, Smithsonian American Art Museum, Gift of KPMG Peat Marwick, 1993.54.6A-J, © 1988, Wayne Higby
      Temple’s Gate Pass
      Date1988
      earthenware and glaze
      Not on view
      Robyn Horn, Slashed Millstone, 1996, ebonized redwood burl and ebony, Smithsonian American Art Museum, Gift of Margot R. Heckman, 2003.30A-B
      Slashed Millstone
      Date1996
      ebonized redwood burl and ebony
      Not on view
      Mary Lee Hu, Choker (#38), 1978, fine and sterling silver, 18k and 24k gold, and lacquered copper, Smithsonian American Art Museum, Gift of the James Renwick Alliance, 1985.22
      Choker (#38)
      Date1978
      fine and sterling silver, 18k and 24k gold, and lacquered copper
      Not on view
      Sergey Jivetin, Shield #3 Brooch, 2004-2005, found watch hands, oxidized sterling silver, and steel, Smithsonian American Art Museum, Gift of Susan C. Beech in honor of the fortieth anniversary of the Renwick Gallery, 2012.27, © 2004-2005, Sergey Jivetin
      Shield #3 Brooch
      Date2004-2005
      found watch hands, oxidized sterling silver, and steel
      Not on view
      Lauren Kalman, Blooms, Efflorescence, and Other Dermatological Embellishments (Cystic Acne, Back), 2009, gold-plated silver acupuncture needles embellished with semi-precious stones and freshwater pearls, imitation leather, stainless steel tweezers and inkjet print 
, Smithsonian American Art Museum, Gift of Rotasa Foundation, 2013.63A-B, © 2009, Lauren Kalman
      Blooms, Efflorescence, and Other Dermatological…
      Date2009
      gold-plated silver acupuncture needles embellished with semi-precious stones and freshwater pearls, imitation leather, stainless steel tweezers and inkjet print
      Not on view
      Mariska Karasz, Skeins, ca. 1950, linen, cotton, and wool, Smithsonian American Art Museum, Gift of the James Renwick Alliance and museum purchase through the Smithsonian Institution Collections Acquisition Program, 1992.117, © 1952, F. Schumacher and Co.
      Skeins
      Dateca. 1950
      linen, cotton, and wool
      Not on view
      Silas Kopf, Bad Hare Day, 2007, macassar ebony, walnut, maple, various woods and brass, Smithsonian American Art Museum, Gift of the James Renwick Alliance, 2008.20
      Bad Hare Day
      Date2007
      macassar ebony, walnut, maple, various woods and brass
      Not on view
      Ron Layport, The Running, 2008, bleached maple, paint, dye, stain, and resin, Smithsonian American Art Museum, Museum purchase made possible by the Windgate Charitable Foundation, 2010.50, © 2007, Ron Layport
      The Running
      Date2008
      bleached maple, paint, dye, stain, and resin
      Not on view
      Steven Young Lee, Vase with Landscape and Dinosaurs, 2014, porcelain with pigment and glaze, Smithsonian American Art Museum, Gift of Richard Fryklund, Giselle and Ben Huberman, David and Clemmer Montague, and museum purchase through the Howard Kottler Endowment for Ceramic Art
, 2015.17, © 2014, Steven Young Lee
      Vase with Landscape and Dinosaurs
      Date2014
      porcelain with pigment and glaze
      On view
      Kristina Logan, Brooch/Pendant, 2001, glass and sterling silver, Smithsonian American Art Museum, Museum purchase through the Richard T. Evans Fund, 2002.31
      Brooch/​Pendant
      Date2001
      glass and sterling silver
      Not on view
      Marc Maiorana, Renwick Gate, 2011, iron, enamel, and lacquer, Smithsonian American Art Museum, Gift of Patty Stonesifer and Michael Kinsley in honor of the fortieth anniversary of the Renwick Gallery, 2013.11A-D, © 2011, Marc Maiorana
      Renwick Gate
      Date2011
      iron, enamel, and lacquer
      Not on view
      Sam Maloof, Low-Back Side Chair, 1995, ziricote and ebony, Smithsonian American Art Museum, Gift of Alfreda and Sam Maloof in honor of Michael W. Monroe, curator-in-charge, Renwick Gallery (1986-1995), 1995.29, © 1995, Sam Maloof
      Low-Back Side Chair
      Date1995
      ziricote and ebony
      Not on view
      Richard Marquis, Teapot Goblet (#94-14), 1994, glass, Smithsonian American Art Museum, Gift of the James Renwick Alliance, 1995.24.2
      Teapot Goblet (#94 – 14)
      Date1994
      glass
      Not on view
      Julian Martinez, Maria Martinez, Plate, ca. 1930s, blackware, Smithsonian American Art Museum, Gift of International Business Machines Corporation, 1966.27.15
      Plate
      Dateca. 1930s
      blackware
      Not on view
      Sebastian Martorana, Impressions, 2008, marble, Smithsonian American Art Museum, Gift of Patricia A. Young in honor of the fortieth anniversary of the Renwick Gallery and the thirtieth anniversary of the James Renwick Alliance, 2012.20, © 2008, Sebastian Martorana
      Impressions
      Date2008
      marble
      Not on view
      Richard Mawdsley, Feast Bracelet, 1974, sterling silver, jade, and pearls, Smithsonian American Art Museum, Gift of the James Renwick Alliance in honor of Lloyd E. Herman, director emeritus, Renwick Gallery, 1983.52
      Feast Bracelet
      Date1974
      sterling silver, jade, and pearls
      Not on view
      John E. McGuire, Quatrefoil Lidded Shaker Cat Head Basket with Handle, 1992, black ash and white oak, Smithsonian American Art Museum, Gift of Martha G. Ware and Steven R. Cole, 2011.47.46A-B
      Quatrefoil Lidded Shaker Cat Head Basket with Handle
      Date1992
      black ash and white oak
      Not on view
      John McQueen, Untitled #192, 1989, burdock burrs and applewood, Smithsonian American Art Museum, Gift of the James Renwick Alliance, 1993.27, © 1989, John McQueen
      Untitled #192
      Date1989
      burdock burrs and applewood
      Not on view
      Steven Montgomery, Static Fuel, 1998, earthenware and oil paint, Smithsonian American Art Museum, Gift of the James Renwick Alliance, 2000.28
      Static Fuel
      Date1998
      earthenware and oil paint
      Not on view
      William Morris, Raft, 1997, glass with steel stand, Smithsonian American Art Museum, Gift of Colleen and John Kotelly, 1999.78
      Raft
      Date1997
      glass with steel stand
      Not on view
      Edward Moulthrop, Hackberry Spheroid, 1995, hackberry, Smithsonian American Art Museum, Gift of the James Renwick Alliance on the occasion of the 25th anniversary of the Renwick Gallery, 1997.63
      Hackberry Spheroid
      Date1995
      hackberry
      Not on view
      George Nakashima, Conoid Chair, 1971, black walnut and hickory, Smithsonian American Art Museum, Gift of Lloyd E. Herman, founding director and director emeritus of the Renwick Gallery (1971-1986), 1991.125
      Conoid Chair
      Date1971
      black walnut and hickory
      Not on view
      Gertrud Natzler, Otto Natzler, Oval Bowl, 1942, earthenware and chartreuse glaze, Smithsonian American Art Museum, Gift of Mary Peterson Hartzler and James Hartzler, 1991.124
      Oval Bowl
      Date1942
      earthenware and chartreuse glaze
      Not on view
      Andy Paiko, Spinning Wheel, 2007, glass, cocobolo, steel, brass, and leather, Smithsonian American Art Museum, Gift of Peg and Bob Van Andel, 2012.7A-GG, © 2007, Andy Paiko
      Spinning Wheel
      Date2007
      glass, cocobolo, steel, brass, and leather
      Not on view
      Albert Paley, Portal Gates, 1974, steel, brass, copper, and bronze, Smithsonian American Art Museum, Commissioned for the Renwick Gallery, 1975.117.1A-B
      Portal Gates
      Date1974
      steel, brass, copper, and bronze
      Not on view
      Joan Parcher, Graphite Pendulum-Pendant, 1994, graphite, sterling silver, and stainless steel, Smithsonian American Art Museum, Museum purchase through the Renwick Acquisitions Fund, 1995.12
      Graphite Pendulum-Pendant
      Date1994
      graphite, sterling silver, and stainless steel
      Not on view
      Zack Peabody, Turbine Bracelet, 1997, stainless steels and titanium, Smithsonian American Art Museum, Gift of the artist, 2006.33, © 1997, Zack Peabody
      Turbine Bracelet
      Date1997
      stainless steels and titanium
      Not on view
      Matthias Pliessnig, Drift, 2011, white oak and bamboo, Smithsonian American Art Museum, Gift of the James Renwick Alliance and museum purchase through the Richard T. Evans Fund, 2011.32, © 2011, Matthias Pliessnig
      Drift
      Date2011
      white oak and bamboo
      Not on view
      Ed Rossbach, Croissants, ca. 1987, cartons, block print, and staples, Smithsonian American Art Museum, Gift of Enid Barden, 2017.38.2
      Croissants
      Dateca. 1987
      cartons, block print, and staples
      Not on view
      Judith Schaechter, The Birth of Eve, 2013, flash glass, vitreous paint, silver stain, and copper foil, Smithsonian American Art Museum, Gift of the James Renwick Alliance, 2015.12, © 2013, Judith Schaechter
      The Birth of Eve
      Date2013
      flash glass, vitreous paint, silver stain, and copper foil
      On view
      Kim Schmahmann, Bureau of Bureaucracy, 1993-1999, various hardwoods, veneers, marquetry, mother of pearl, gold leaf, and brass, Smithsonian American Art Museum, Gift of an anonymous donor, 2000.48A-H, © 1993, Kim S. Schmahmann
      Bureau of Bureaucracy
      Date1993-1999
      various hardwoods, veneers, marquetry, mother of pearl, gold leaf, and brass
      Not on view
      Viktor Schreckengost, Apocalypse '42, 1942, terracotta and glaze with engobe, Smithsonian American Art Museum, Gift of the artist, 1985.92.1
      Apocalypse 42
      Date1942
      terracotta and glaze with engobe
      Not on view
      Eric Serritella, Charred Split Birch Log Teapot, 2013, stoneware, stains, and oxides, Smithsonian American Art Museum, Museum purchase through the Howard Kottler Endowment for Ceramic Art, 2014.30A-B, © 2013, Eric Serritella
      Charred Split Birch Log Teapot
      Date2013
      stoneware, stains, and oxides
      Not on view
      Paul Stankard, Cactus Botanical with Spirits, 1990, glass, Smithsonian American Art Museum, Gift of Annie and Mike Belkin, 1992.100
      Cactus Botanical with Spirits
      Date1990
      glass
      Not on view
      Billie Ruth Sudduth, Fibonacci 5, 1996, reed splints, Smithsonian American Art Museum, Gift of Kay Sekimachi and Bob Stocksdale and Susan Stewart, 1996.28
      Fibonacci 5
      Date1996
      reed splints
      Not on view
      Lino Tagliapietra, Mandara, 2005, glass, Smithsonian American Art Museum, Museum purchase made possible by the American Art Forum, 2011.6, © 2005, Lino Tagliapietra, Inc.
      Mandara
      Date2005
      glass
      Not on view
      Toshiko Takaezu, Closed Form, ca. 1980s or 1990s, porcelain and glaze, Smithsonian American Art Museum, Gift of Lenore Tawney, 2007.38.1
      Closed Form
      Dateca. 1980s or 1990s
      porcelain and glaze
      Not on view
      Toshiko Takaezu, Closed Form, ca. 1980s or 1990s, porcelain and glaze, Smithsonian American Art Museum, Gift of Lenore Tawney, 2007.38.2
      Closed Form
      Dateca. 1980s or 1990s
      porcelain and glaze
      Not on view
      Akio Takamori, Green Mountain, 2015, stoneware with underglazes, Smithsonian American Art Museum, Gift of Fleur S. Bresler, Sharon and Robert Buchanan, Brenda Erickson, Carol and Joe Green, Michele Manatt and Wolfram Anders, Clemmer Montague, Gilbert and Bonnie Schwartz, Kathryn Van Wyk, Patricia A. Young, Marilyn Hardis, and Diane and Marc Grainer, 2016.12.1, © 2015, Akio Takamori
      Green Mountain
      Date2015
      stoneware with underglazes
      Not on view
      Akio Takamori, Ochre Landscape, 2014, stoneware with underglazes, Smithsonian American Art Museum, Gift of Giselle and Ben Huberman, Barbara and Arnold Berlin, Leon and Miriam Ellsworth, Bruce and Leslie Lane, Chris Rifkin, Jacqueline Urow, Judith S. Weisman, Anne Mehringer and Terry Beaty, Diane Charnov, Robert Minkoff, and Mark and Reba Immergut, 2016.12.2, © 2014, Akio Takamori
      Ochre Landscape
      Date2014
      stoneware with underglazes
      Not on view
      Ehren Tool, 204 of Thousands, 2014-2015, stoneware with glaze and decals, Smithsonian American Art Museum, Gift of the artist in honor of the people who give the work meaning, 2015.35, © 2015, Ehren Tool
      204 of Thousands
      Date2014-2015
      stoneware with glaze and decals
      Not on view
      Norwood Viviano, Mining Industries: Downtown Boston, 2015, glass and steel, Smithsonian American Art Museum, Museum purchase through the Richard T. Evans Fund and the Decorative Arts and Crafts Endowment and gift of Ms. Pace Barnes, 2017.28, © 2015, Norwood Viviano
      Mining Industries: Downtown Boston
      Date2015
      glass and steel
      Not on view
      Peter Voulkos, Hole in One, 1978, ceramic, Smithsonian American Art Museum, Bequest of Edith S. and Arthur J. Levin, 2005.5.73, © 1978, Voulkos Family Trust
      Hole in One
      Date1978
      ceramic
      Not on view
      Marie Watt, Edson's Flag, 2004, American flag (from U.S. military burial) with wool blankets, satin, and thread, Smithsonian American Art Museum, Gift of Driek and Michael Zirinsky in honor of Jane Beebe and Spencer Beebe, 2015.28.7, © 2004, Marie K. Watt
      Edson’s Flag
      Date2004
      American flag (from U.S. military burial) with wool blankets, satin, and thread
      Not on view
      Dan Webb, Cut, Flamed, Spalted, 2013, maple, Smithsonian American Art Museum, Museum purchase through the Decorative Arts and Crafts Endowment, the Richard T. Evans Fund, and the Renwick Acquisitions Fund, 2015.10, © 2013, Dan Webb
      Cut, Flamed, Spalted
      Date2013
      maple
      Not on view
      Stacey Lee Webber, The Craftsman Series: Shovels, 2011, pennies, brass, silver, and copper, Smithsonian American Art Museum, Museum purchase made possible by the Clare Brackett Morison Bequest in memory of Philip Fike and museum purchase through the Richard T. Evans Fund, 2013.77A-C
      The Craftsman Series: Shovels
      Date2011
      pennies, brass, silver, and copper
      Not on view
      J. Fred Woell, Democracy Speaks, 2003, wood, brass, paper, nickel, and bullet shells, Smithsonian American Art Museum, Bequest of J. Fred Woell, 2017.29
      Democracy Speaks
      Date2003
      wood, brass, paper, nickel, and bullet shells
      Not on view
      Shiang-shin Yeh, Bracelet ALS 16L #2 CL, 1996, anodized aluminum, Smithsonian American Art Museum, Gift of Zack Peabody, 2000.62.17
      Bracelet ALS 16L #2 CL
      Date1996
      anodized aluminum
      Not on view
      Lynette Youson, Gullah Fanner Basket, 2002, sweetgrass, bulrush, pine needles, and palmetto fronds, Smithsonian American Art Museum, Gift of Martha G. Ware and Steven R. Cole, 2011.47.76
      Gullah Fanner Basket
      Date2002
      sweetgrass, bulrush, pine needles, and palmetto fronds
      Not on view

      Artists

      Terese Agnew
      born Milwaukee, WI 1959
      Debra Baxter
      born Omaha, NE 1972
      Media - portrait_image_113328.jpg - 89921
      Jamie Bennett
      born Philadelphia, PA 1948

      Jamie Bennett studied metalsmithing at the University of Georgia and later at the State University of New York, New Paltz.

      Melanie Bilenker
      born New York, NY 1978
      Media - portrait_image_113283.jpg - 90201
      Wendell Castle
      born Emporia, KS 1932-died Scottsville, NY 2018

      Born in Emporia, Kansas, Wendell Castle earned a B.F.A. degree in sculpture in 1958 and an M.F.A. in industrial design in 1961 at the University of Kansas.

      Media - portrait_image_113705.jpg - 90398
      Dale Chihuly
      born Tacoma, WA 1941

      Born in Tacoma, Washington, Dale Chihuly studied with Harvey Littleton, founder of the studio glass movement, at the University of Wisconsin and received an M.F.A. degree from the Rhode Island School of Design in 1968.

      Kathryn Clark
      born Knoxville, TN 1971
      Media - portrait_image_113289.jpg - 90205
      Dan Dailey
      born Philadelphia, PA 1947

      Dan Dailey became fascinated with what he considers the “magic” of glassblowing while at Philadelphia College of Art. He often incorporates other materials and will bend or penetrate the surface of the glass to play on its brittleness and solidity.

      Erik Demaine
      born Halifax, Nova Scotia 1981
      Joshua DeMonte
      born Red Bank, NJ 1984
      Brian Dettmer
      born Chicago, IL 1974
      Charles Eames
      born St. Louis, MO 1907-died St. Louis, MO 1978
      Media - portrait_image_113293.jpg - 90208
      David Ellsworth
      born Iowa City, IA 1944

      David Ellsworth received his MFA from the University of Colorado at Boulder in 1973. Eight years earlier, he had studied architecture for a year at Washington University, St. Louis.

      Larry Fuente
      born Chicago, IL 1947-died 2024

      Born in Chicago, Larry Fuente studied at the Kansas City Art Institute from 1967 to 1968, after which he followed friends to California.

      Michael Izrael Galmer
      born Soviet Union 1947
      Robly A. Glover
      born Carmi, IL 1956
      John Grade
      born Minneapolis, MN 1970
      Media - mimlitsch-gray_myra.jpg - 90086
      Myra Mimlitsch Gray
      born Camden, NJ 1962

      Myra Mimlitsch Gray received her masters degree in metalsmithing from the Cranbrook Academy of Art in 1986.

      Sabrina Gschwandtner
      born Washington, DC 1977
      Media - portrait_image_113704.jpg - 90397
      William Harper
      born Bucyrus, OH 1944

      Born in Bucyrus, Ohio, Harper received a B.S. degree in 1966 and the following year an M.S. in education from Case Western Reserve University. He also studied advanced enameling at the Cleveland Institute of Art.

      Media - higby_wayne.jpg - 90023
      Wayne Higby
      born Colorado Springs, CO 1943

      Born in Colorado Springs, Wayne Higby received a B.F.A. degree in 1966 from the University of Colorado in Boulder and an M.F.A. degree in 1968 from the University of Michigan.

      Media - portrait_image_113330.jpg - 90218
      Robyn Horn
      born Fort Smith, AR 1951

      Robyn Horn was born in Fort Smith Arkansas, and went to Hendrix College in Conway, Arkansas.

      Mary Lee Hu
      born Lakewood, OH 1943

      Born in Lakewood, Ohio, Mary Lee Hu earned a B.F.A. degree in 1965 at Cranbrook Academy of Art and an M.F.A. in 1967 at Southern Illinois University, where she first explored weaving wire—a characteristic of her jewelry.

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      Mary Jackson
      born Mount Pleasant, SC 1945

      Mary Jackson was four when her mother taught her to weave baskets from dried sweet grass. Eventually, Jackson grew bored with the traditional pieces she had been making and began to create contemporary forms from traditional materials.

      Sergey Jivetin
      born Tashkent, Uzbekistan 1977
      Mariska Karasz
      born Budapest, Hungary 1898-died Danbury, CT 1960

      Self-taught embroiderer Mariska Karasz arrived in the United States from her native Hungary at the age of sixteen. The influence of Hungary's rich folk-art tradition is reflected in her early work.

      Silas Kopf
      born Warren, PA 1949
      Karen LaMonte
      born New York City 1967
      Ron Layport
      born Elyria, OH 1942
      Steven Young Lee
      born Chicago, IL 1975
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      Kristina Logan
      born Worcester, MA 1964

      Kristina Logan always intended to have a career as an artist, but it wasn’t until after college when she spent four years working for glass artist Dan Dailey that she found direction for her work.

      Marc Maiorana
      born Greenfield, MA 1978
      Sam Maloof
      born Chino, CA 1916-died Rancho Cucamonga, CA 2009

      Born in Chino, California, Sam Maloof is a 1934 graduate of Chino High School. He worked as a graphic artist before being encouraged by his wife to pursue woodworking.

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      Richard Marquis
      born Bumble Bee, AZ 1945

      Richard Marquis earned a B.A. degree in 1969 and an M.A. in 1971 at the University of California at Berkeley, where he studied glass and ceramics.

      Julian Martinez
      born San Ildefonso Pueblo, NM 1879-died San Ildefonso Pueblo, NM 1943

      Although Julian Martinez (San Ildefonso Pueblo) created many paintings on paper, he is best known for his collaborations with his wife, the potter Maria Martinez (San Ildefonso Pueblo).

      Sebastian Martorana
      born Manassas, VA 1981
      Richard Mawdsley
      born Winfield, KS 1945

      Richard Mawdsley earned a B.S. degree in education in 1967 at Kansas State Teachers College and an M.F.A. in 1969 at the University of Kansas.

      John E. McGuire
      born Rochester, NY 1942
      John McQueen
      born Oakland, IL 1943

      John McQueen earned a B.A. degree at the University of South Florida in Tampa in 1971 and an M.F.A. degree at the Tyler School of Art at Temple University in 1975.

      Steven Montgomery
      born Detroit, MI 1954
      William Morris
      born Carmel, CA 1957
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      Edward Moulthrop
      born Rochester, NY 1916-died Atlanta, GA 2003

      Born in Cleveland, Edward Moulthrop earned a B.A. degree in architecture in 1939 at Case Institute of Technology and an M.F.A. at Princeton University in 1941.

      George Nakashima
      born Spokane, WA 1905-died New Hope, PA 1990

      "To build a small palace around here with a Japanese carpenter in the finest traditions …" is a dream George Nakashima would like to realize someday.

      Otto Natzler
      born Vienna, Austria 1908-died Los Angeles, CA 2007

      Born in Vienna, Austria, Gertrud Natzler graduated from the Vienna Handelsakademie in 1926 and later took classes in drawing, painting, and ceramics.

      Andy Paiko
      born Woodland, CA 1977
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      Albert Paley
      born Philadelphia, PA 1944

      Albert Paley earned B.F.A. and M.F.A. degrees at Tyler School of Art, Temple University, in 1966 and 1969 respectively.

      Joan Parcher
      born Pittsburgh, PA 1956

      Joan Parcher spends hours digging through garbage dumps to gather materials for her jewelry. After collecting fragments of rubber, graphite and mica, the artist sets them aside until she decides how best to showcase their natural characteristics.

      Zack Peabody
      born New London, CT 1968

      Zack Peabody uses industrial materials in his work to call attention to the beauty of everyday objects. His stainless steel and niobium brooches and bracelets look like the skeletons of buildings and bridges.

      Matthias Pliessnig
      born New Orleans, LA 1978
      Ed Rossbach
      born Chicago, IL 1914-died Berkeley, CA 2002

      Born in Chicago, Ed Rossbach earned a B.A degree in 1940 at the University of Washington, an M.A. in 1941 at Columbia University, and an M.F.A. in 1947 at Cranbrook Academy of Art.

      Judith Schaechter
      born Gainesville, FL 1961
      Kim Schmahmann
      South African, born Johannesburg, South Africa 1955
      Viktor Schreckengost
      born Sebring, OH 1906-died Tallahassee, FL 2008

      A prolific industrial designer, artist, and teacher, Viktor Schreckengost's creations have touched on nearly every aspect of American life.

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      Joyce Scott
      born Baltimore, MD 1948

      Joyce Scott relates her work as an artist to her family's craft traditions and to her African American heritage. In her jewelry and sculpture, she employs humor and irony to address cultural stereotypes and issues of racism and sexism.

      Eric Serritella
      born Ellenville, NY 1963
      Josh Simpson
      born New Haven, CT 1949

      Josh Simpson first experimented with glass when he was a student at Hamilton College in 1970.

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      Paul Stankard
      born Attleboro, MA 1943

      Following his father's advice, Paul Stankard studied glassblowing at a technical college and worked for ten years producing glass instruments for laboratories.

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      Billie Ruth Sudduth
      born Sewanee, TN 1945-died 2021

      Billie Ruth Sudduth began making baskets as a diversion from her job as a school psychologist, and decided in 1989 to dedicate all of her time to weaving.

      Lino Tagliapietra
      Italian, born Murano, Italy 1934
      Toshiko Takaezu
      born Pepeekeo, HI 1922-died Honolulu, HI 2011

      Toshiko Takaezu studied at the University of Hawaii and at Cranbrook Academy in Michigan, where she also taught. She has been on the faculty of other institutions, including the Cleveland Institute of Art and Princeton University.

      Akio Takamori
      Japanese born Nobeoka, Japan 1950-died Seattle, WA 2017
      Ehren Tool
      born Charleston, SC 1970
      Norwood Viviano
      born Royal Oak, MI 1972
      Anna Von Mertens
      born Boston, MA 1973
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      Peter Voulkos
      born Bozeman, MT 1924-died Bowling Green, OH 2002

      After serving in the U.S. Army Air Force from 1943 to 1946, he entered Montana State College, earning a B.S. degree in 1951 and, the following year, an M.F.A. degree at California College of Arts and Crafts in Oakland.

      Marie Watt
      born Seattle, WA 1967
      Dan Webb
      born East Lansing, MI 1965
      Stacey Lee Webber
      born Indianapolis, IN 1982
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      J. Fred Woell
      born Evergreen Park, IL 1934-died Deer Isle, ME 2015

      J.

      Shiang-shin Yeh
      born Taipei, Taiwan 1969

      Shiang-shin Yeh studied mechanical engineering at the National Taiwan University because “it seemed to be the most practical and useful subject in the world.” He grew dissatisfied with engineering, however, and turned to applied design, studying metal

      Lynette Youson
      born Charleston, SC 1964