Petrified Hopi Basket – Second Mesa

Lincoln Seitzman, Petrified Hopi Basket--Second Mesa, 1993, guatambu, wenge, bloodwood, and lacewood, 13 1814 58 in. diam. (33.437.1 cm), Smithsonian American Art Museum, Gift of Fleur and Charles Bresler in honor of Kenneth R. Trapp, curator-in-charge of the Renwick Gallery (1995−−2003), 2003.60.53

Artwork Details

Title
Petrified Hopi Basket – Second Mesa
Date
1993
Location
Not on view
Dimensions
13 1814 58 in. diam. (33.437.1 cm)
Credit Line
Gift of Fleur and Charles Bresler in honor of Kenneth R. Trapp, curator-in-charge of the Renwick Gallery (1995−−2003)
Mediums Description
guatambu, wenge, bloodwood, and lacewood
Classifications
Object Number
2003.60.53

Artwork Description

Lincoln Seitzman is inspired by old Indian baskets, and his turnings often replicate their geometric designs. Hopi baskets originated in northeast Arizona, where Second Mesa weavers today sustain a tradition of coiled basketry. Seitzman draws on this tradition, combining coils of creamy guatambu, vivid bloodwood, dark wenge (pronounced when-gay), and silvery lacewood to create a vibrant woven surface.

Works by this artist (3 items)

Edward Kienholz, Nancy Reddin Kienholz, Sollie 17, 1979-1980, mixed media construction, Smithsonian American Art Museum, Museum purchase through the Luisita L. and Franz H. Denghausen Endowment, 2001.58, © 1980, Nancy Reddin Kienholz
Sollie 17
Date1979-1980
mixed media construction
Not on view
Edward Kienholz, Untitled, n.d., encaustic on fiberboard, Smithsonian American Art Museum, Gift of Patricia Colleen McCall, 1982.125
Untitled
Daten.d.
encaustic on fiberboard
Not on view
Edward Kienholz, Nancy Reddin Kienholz, Drawing for Sollie 17, 1980, mixed media construction, Smithsonian American Art Museum, Gift of G & W Investments, 2001.59A-D, © 1980, Nancy Reddin Kienholz
Drawing for Sollie 17
Date1980
mixed media construction
Not on view

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