Modern Head

Roy Lichtenstein, Modern Head, 1974/1990, painted stainless steel, Smithsonian American Art Museum, Gift of Jeffrey H. Loria in loving memory of his sister, Harriet Loria Popowitz

 
, 2008.28A-F, © Estate of Roy Lichtenstein
Roy Lichtenstein, Modern Head, 1974/1990, painted stainless steel, 3722328 in. (944.9589.320.3 cm), Smithsonian American Art Museum, Gift of Jeffrey H. Loria in loving memory of his sister, Harriet Loria Popowitz , 2008.28A-F, © Estate of Roy Lichtenstein

Artwork Details

Title
Modern Head
Date
1974/1990
Dimensions
3722328 in. (944.9589.320.3 cm)
Copyright
© Estate of Roy Lichtenstein
Credit Line
Gift of Jeffrey H. Loria in loving memory of his sister, Harriet Loria Popowitz 
Mediums
Mediums Description
painted stainless steel
Classifications
Subjects
  • Figure — head
Object Number
2008.28A-F

Artwork Description

The Smithsonian American Art Museum acquired the monumental sculpture Modern Head by Roy Lichtenstein, a major figure in the pop art movement, in 2008.

Modern Head stands thirty-one feet tall and is made of stainless steel painted blue. The sculpture is part of a series Lichtenstein began in the late 1960s that explored the idea of creating images of human figures that look like machines. This concept pervaded the artist's work throughout his career.

Lichtenstein created the first Modern Head in 1974 out of wood that was painted blue. In 1989 he produced an edition of four in brushed steel. In 1990 the artist painted one a vibrant blue, making the sculpture in American Art's collection a unique work.

Silhouetted against the urban skyline, the flat planes and curvilinear geometric forms of the sculpture blend the streamlined industrial style of 1930s art deco architecture and design with references to Picasso and Apollo, the Greek god of the arts.

In 1996, Modern Head was installed by the Public Art Fund of New York City in Battery Park City, one block from the World Trade Center. The sculpture survived the September 11, 2001, terrorist attacks with only surface scratches and was temporarily used by the FBI as a message board during its investigations. The sculpture was removed from the site on November 9, 2001, and was subsequently on view at the Nassau County Museum of Art in Roslyn Harbor, New York, and at the Fairchild Tropical Botanic Garden in Coral Gables, Florida.

The sculpture is installed on the grounds of the Museum's main building at the corner of Ninth and F streets, N.W.

Smithsonian American Art Museum, 2008

Works by this artist (3 items)

Albino Cavallito, Standing Nude, 1930-1931, terra cotta, Smithsonian American Art Museum, Gift of Julia A. Sullivan, 1971.444
Standing Nude
Date1930-1931
terra cotta
On view
Albino Cavallito, Portrait of the Artist's Wife, 1935-1936, limestone, Smithsonian American Art Museum, Gift of Julia A. Sullivan, 1969.159
Portrait of the Artist’s Wife
Date1935-1936
limestone
On view
Albino Cavallito, Anne Morin, 1935-1940, terra cotta mounted on wood base, Smithsonian American Art Museum, Gift of Julia A. Sullivan, 1972.179
Anne Morin
Date1935-1940
terra cotta mounted on wood base
On view

More Artworks from the Collection

Edward Sachse, Smithsonian Institute, ca. 1855, hand-colored lithograph, Smithsonian American Art Museum, Gift of Al Marzorini in honor of Harry Lowe, 2019.23
Smithsonian Institute
Dateca. 1855
hand-colored lithograph
Not on view
Marching As to War
Daten.d.
color etching
Not on view
Pharoh’s Horses
Artist
Unidentified (British)
Daten.d.
engraving
Not on view
Jakob Steinhardt, Untitled, n.d., etching, Smithsonian American Art Museum, Gift of Adelyn D. Breeskin, 1970.61
Untitled
Daten.d.
etching
Not on view