Zoot Suit

Ignacio Gomez, Zoot Suit, 2002, screenprint on paper, Smithsonian American Art Museum, Gift of Ricardo and Harriett Romo, 2011.51.1, © 1978, Ignacio Gomez
Ignacio Gomez, Zoot Suit, 2002, screenprint on paper, image: 47 1433 in. (120.083.8 cm) sheet: 5137 in. (129.594.0 cm), Smithsonian American Art Museum, Gift of Ricardo and Harriett Romo, 2011.51.1, © 1978, Ignacio Gomez

Artwork Details

Title
Zoot Suit
Date
2002
Location
Not on view
Dimensions
image: 47 1433 in. (120.083.8 cm) sheet: 5137 in. (129.594.0 cm)
Copyright
© 1978, Ignacio Gomez
Credit Line
Gift of Ricardo and Harriett Romo
Mediums Description
screenprint on paper
Classifications
Object Number
2011.51.1

Works by this artist (19 items)

Philadelphia Wireman, Untitled, ca. 1970-1975, tweezers, electrical cord, button, and wire, Smithsonian American Art Museum, The Margaret Z. Robson Collection, Gift of John E. and Douglas O. Robson, 2016.38.56
Untitled
Dateca. 1970-1975
tweezers, electrical cord, button, and wire
On view
Philadelphia Wireman, Untitled, ca. 1970-1975, found objects and wire, Smithsonian American Art Museum, The Margaret Z. Robson Collection, Gift of John E. and Douglas O. Robson, 2016.38.51
Untitled
Dateca. 1970-1975
found objects and wire
On view
Philadelphia Wireman, Untitled, ca. 1970-1975, piano keys, bead, chain, plastic, and wire, Smithsonian American Art Museum, The Margaret Z. Robson Collection, Gift of John E. and Douglas O. Robson, 2016.38.52
Untitled
Dateca. 1970-1975
piano keys, bead, chain, plastic, and wire
On view
Philadelphia Wireman, Untitled, ca. 1970-1975, found objects and wire, Smithsonian American Art Museum, The Margaret Z. Robson Collection, Gift of John E. and Douglas O. Robson, 2016.38.48
Untitled
Dateca. 1970-1975
found objects and wire
On view

Exhibitions

Media - 2011.12 - SAAM-2011.12_1 - 77591
Our America: The Latino Presence in American Art
October 25, 2013March 2, 2014
Our America: The Latino Presence in American Art presents the rich and varied contributions of Latino artists in the United States since the mid-twentieth century, when the concept of a collective Latino identity began to emerge.

More Artworks from the Collection

Louse Point Reverie
Date1991
acrylic on canvas
Not on view
Gene Davis, Micro-Painting, ca. 1966-1968, acrylic on canvas, Smithsonian American Art Museum, Bequest of Florence Coulson Davis, 1996.104.161
Micro-Painting
Dateca. 1966-1968
acrylic on canvas
Not on view
Gene Davis, Microhead, 1982, acrylic on canvas, Smithsonian American Art Museum, Bequest of Florence Coulson Davis, 1996.104.169
Microhead
Date1982
acrylic on canvas
Not on view
Kenneth Noland, Sarah's Reach, 1964, acrylic on canvas, Smithsonian American Art Museum, Museum purchase from the Vincent Melzac Collection through the Smithsonian Institution Collections Acquisition Program, 1980.5.9
Sarah’s Reach
Date1964
acrylic on canvas
Not on view