Glass Tube

Bohyun Yoon, Glass Tube, 2012, glass, stainless steel, blowtorch, acrylic paint, and digital video, color, sound; 2:05 minutes, dimensions variable, Smithsonian American Art Museum, Gift of Giselle and Ben Huberman, 2012.57A-L, © 2012, Bohyun Yoon

Artwork Details

Title
Glass Tube
Artist
Date
2012
Location
Not on view
Dimensions
dimensions variable
Copyright
© 2012, Bohyun Yoon
Credit Line
Gift of Giselle and Ben Huberman
Mediums Description
glass, stainless steel, blowtorch, acrylic paint, and digital video, color, sound; 2:05 minutes
Classifications
Object Number
2012.57A-L

Works by this artist (217 items)

Herman A. Webster, Le Moulin au Bord de l'Eau, 1926, etching, Smithsonian American Art Museum, Gift of Moune G.H. Webster, 1973.124.116
Le Moulin au Bord de l’Eau
Date1926
etching
Not on view
Herman A. Webster, Street Scene, etching, Smithsonian American Art Museum, Gift of Olin Dows, 1979.136.239
Street Scene
etching
Not on view
Herman A. Webster, Fin d'Une Belle Journee d'Automne, 1938, pencil and watercolor on paper, Smithsonian American Art Museum, Gift of Moune G.H. Webster, 1973.124.89
Fin d’Une Belle Journee d’Automne
Date1938
pencil and watercolor on paper
Not on view
Herman A. Webster, Bird's-Eye View of Venice, 1933, pen and ink and pencil on paper, Smithsonian American Art Museum, Gift of Moune G.H. Webster, 1973.124.55
Bird’s-Eye View of Venice
Date1933
pen and ink and pencil on paper
Not on view

Videos

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      In anticipation of the exhibition 40 under 40: Craft Futures, on view at the Renwick Gallery of the Smithsonian American Art Museum from July 20, 2012 -- February 3, 2013, the museum asked the 40 artists featured to share personal videos of themselves with our audience. Here's what Bohyun Yoon submitted—enjoy! Social Media Video, 2012 Digital video, color, sound, 1:00 Courtesy of the artist

      Related Books

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      40 Under 40: Craft Futures
      40 Under 40: Craft Futures examines the expanding role of the handmade in contemporary culture through the work of the next generation of artists. Organized in celebration of the fortieth anniversary of the Renwick Gallery, the Smithsonian's branch museum for American craft and decorative arts, this project gathers forty makers born since 1972, the year the Renwick opened to the public. Apparent are rapidly evolving notions of craft, ranging from traditional media, such as ceramics and jewelry, to fields as varied as sculpture, industrial design, performance and installation art, fashion design, sustainable manufacturing, and mathematics.