Glass Tube

Bohyun Yoon, Glass Tube, 2012, glass, stainless steel, blowtorch, acrylic paint, and digital video, color, sound; 2:05 minutes, dimensions variable, Smithsonian American Art Museum, Gift of Giselle and Ben Huberman, 2012.57A-L, © 2012, Bohyun Yoon

Artwork Details

Title
Glass Tube
Artist
Date
2012
Location
Not on view
Dimensions
dimensions variable
Copyright
© 2012, Bohyun Yoon
Credit Line
Gift of Giselle and Ben Huberman
Mediums Description
glass, stainless steel, blowtorch, acrylic paint, and digital video, color, sound; 2:05 minutes
Classifications
Object Number
2012.57A-L

Works by this artist (129 items)

Charles Bird King, Unidentified, Apauly-Tustennuggee, 1825, oil on canvas, Smithsonian American Art Museum, Transfer from the National Museum of Natural History, Department of Anthropology, Smithsonian Institution, 1985.66.387,322
Apauly-Tustennuggee
Artist
Unidentified
Date1825
oil on canvas
On view
Charles Bird King, Miss Satterlee, ca. 1830-1839, oil on wood, Smithsonian American Art Museum, Gift of Albert M. Pitcher, Jr., 1976.117
Miss Satterlee
Dateca. 1830-1839
oil on wood
On view
Charles Bird King, KAI-POL-E-QUAH, WHITE NOSED FOX, from History of the Indian Tribes of North America, ca. 1836, hand-colored lithograph on paper, Smithsonian American Art Museum, Museum purchase, 1985.66.153,271
KAI-POL-E-QUAH, WHITE NOSED FOX, from History of the Indian…
Artist
Dateca. 1836
hand-colored lithograph on paper
Not on view

Videos

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      In anticipation of the exhibition 40 under 40: Craft Futures, on view at the Renwick Gallery of the Smithsonian American Art Museum from July 20, 2012 -- February 3, 2013, the museum asked the 40 artists featured to share personal videos of themselves with our audience. Here's what Bohyun Yoon submitted—enjoy! Social Media Video, 2012 Digital video, color, sound, 1:00 Courtesy of the artist

      Related Books

      4040_500.jpg
      40 Under 40: Craft Futures
      40 Under 40: Craft Futures examines the expanding role of the handmade in contemporary culture through the work of the next generation of artists. Organized in celebration of the fortieth anniversary of the Renwick Gallery, the Smithsonian's branch museum for American craft and decorative arts, this project gathers forty makers born since 1972, the year the Renwick opened to the public. Apparent are rapidly evolving notions of craft, ranging from traditional media, such as ceramics and jewelry, to fields as varied as sculpture, industrial design, performance and installation art, fashion design, sustainable manufacturing, and mathematics.

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      Edward Sachse, Smithsonian Institute, ca. 1855, hand-colored lithograph, Smithsonian American Art Museum, Gift of Al Marzorini in honor of Harry Lowe, 2019.23
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      hand-colored lithograph
      Not on view
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      Jakob Steinhardt, Untitled, n.d., etching, Smithsonian American Art Museum, Gift of Adelyn D. Breeskin, 1970.61
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