Touch Football

Perla de Leon, Touch Football, 1980, gelatin silver print, Smithsonian American Art Museum, Museum purchase through the Smithsonian Latino Initiatives Pool, administered by the Smithsonian Latino Center, 2016.16.10, © 1980, Perla de Leon
Perla de Leon, Touch Football, 1980, gelatin silver print, image: 6 × 9 12 in. (15.2 × 24.1 cm) sheet: 8 × 10 in. (20.3 × 25.4 cm), Smithsonian American Art Museum, Museum purchase through the Smithsonian Latino Initiatives Pool, administered by the Smithsonian Latino Center, 2016.16.10, © 1980, Perla de Leon

Artwork Details

Title
Touch Football
Date
1980
Location
Not on view
Dimensions
image: 6 × 9 12 in. (15.2 × 24.1 cm) sheet: 8 × 10 in. (20.3 × 25.4 cm)
Copyright
© 1980, Perla de Leon
Credit Line
Museum purchase through the Smithsonian Latino Initiatives Pool, administered by the Smithsonian Latino Center
Mediums Description
gelatin silver print
Classifications
Subjects
  • Architecture Exterior — domestic — apartment
  • Recreation — sport and play — football
  • Figure male — child
  • Cityscape — New York — New York
  • Cityscape — street
  • Figure group — male
  • African American
Object Number
2016.16.10

Works by this artist (19 items)

Thomas Vigil, Costume Studies-Eagle, Buffalo, and Antelope Dances, ca. 1920-1925, watercolor and pencil on paper, Smithsonian American Art Museum, Corbin-Henderson Collection, Gift of Alice H. Rossin, 1979.144.59
Costume Studies-Eagle, Buffalo, and Antelope Dances
Dateca. 1920-1925
watercolor and pencil on paper
Not on view
Thomas Vigil, Snow Bird Dancers, ca. 1920-1925, watercolor and pencil on paper, Smithsonian American Art Museum, Corbin-Henderson Collection, Gift of Alice H. Rossin, 1979.144.56
Snow Bird Dancers
Dateca. 1920-1925
watercolor and pencil on paper
Not on view
Thomas Vigil, Women's Dance, ca. 1920-1925, watercolor and pencil on paper, Smithsonian American Art Museum, Corbin-Henderson Collection, Gift of Alice H. Rossin, 1979.144.62
Women’s Dance
Dateca. 1920-1925
watercolor and pencil on paper
Not on view
Thomas Vigil, Buffalo Dancer, ca. 1920-1930, gouache and pencil on paper, Smithsonian American Art Museum, Corbin-Henderson Collection, Gift of Alice H. Rossin, 1979.144.67
Buffalo Dancer
Dateca. 1920-1930
gouache and pencil on paper
Not on view

Exhibitions

Photograph of children playing in the water from a fire hydrant by Hiram Maristany
Down These Mean Streets: Community and Place in Urban Photography
May 11, 2017August 5, 2017
America’s urban streets have long inspired documentary photographers. After World War II, populations shifted from the city to the suburbs and newly built highways cut through thriving neighborhoods, leaving isolated pockets within major urban centers.

More Artworks from the Collection

Marguerite Zorach, Commerce and Industry (mural study), ca. 1932-1934, oil and pencil on canvas, Smithsonian American Art Museum, Gift from the collection of Tessim Zorach, 1970.65.21
Commerce and Industry (mural study)
Dateca. 1932-1934
oil and pencil on canvas
Not on view
Rockwell Kent, Mail Service in the Tropics (mural study, U.S. Post Office Department, Washington, D.C.), ca. 1935-1936, pencil and oil on plywood, Smithsonian American Art Museum, Transfer from the General Services Administration, 1982.86.2
Mail Service in the Tropics (mural study, U.S. Post Office…
Dateca. 1935-1936
pencil and oil on plywood
Not on view
Daniel Putnam Brinley, The Land is Bought from the Indians (Study for mural, Blakely, Georgia post office), 1937, oil, tempera and pencil on paperboard, Smithsonian American Art Museum, Transfer from the General Services Administration, 1974.28.305
The Land is Bought from the Indians (Study for mural,…
Date1937
oil, tempera and pencil on paperboard
Not on view
Werner Drewes, Pointed Brown and Floating Circles, 1933, oil, pen and ink, and pencil on wood panel, Smithsonian American Art Museum, Gift of Patricia and Phillip Frost, 1986.92.17
Pointed Brown and Floating Circles
Date1933
oil, pen and ink, and pencil on wood panel
On view