ONE

Ken Ohara, ONE, 1970, printed 1998, gelatin silver print, Smithsonian American Art Museum, Gift of Setsuko Ono, 2017.44.1
Copied Ken Ohara, ONE, 1970, printed 1998, gelatin silver print, image: 20 7⁄8 × 18 1⁄8 in. (53.0 × 46.0 cm) sheet: 24 × 20 in. (61.0 × 50.8 cm), Smithsonian American Art Museum, Gift of Setsuko Ono, 2017.44.1

Artwork Details

Title
ONE
Artist
Date
1970, printed 1998
Location
Not on view
Dimensions
image: 20 7⁄8 × 18 1⁄8 in. (53.0 × 46.0 cm) sheet: 24 × 20 in. (61.0 × 50.8 cm)
Credit Line
Gift of Setsuko Ono
Mediums Description
gelatin silver print
Classifications
Highlights
Subjects
  • Figure — fragment — face
Object Number
2017.44.1
Linked Open Data
https://edan.si.edu/saam/id/object/2017.44.1

Artwork Description

All these faces have the same tightly cropped, eye-level view. The uniformly dark tone of the prints makes skin color appear more similar. Both of these techniques establish an equivalence among subjects and emphasize individuality through details of facial features. How might this influence your perspective of individual and group identity?

In 1962, Ken Ohara moved from Tokyo to New York City, where he worked as an assistant to photographers. On his days off, he photographed on the streets and in city parks, gathering faces for ONE. Originally published as a book without text, Ohara thought of this collection of over five hundred portraits as "a telephone book of faces."