Queen

Audrey Flack, Queen, 1976, acrylic on canvas, Smithsonian American Art Museum, Gift of Louis K. and Susan P. Meisel, 2022.11.5
Audrey Flack, Queen, 1976, acrylic on canvas, 80 × 80 in. (203.2 × 203.2 cm), Smithsonian American Art Museum, Gift of Louis K. and Susan P. Meisel, 2022.11.5

Artwork Details

Title
Queen
Artist
Date
1976
Dimensions
80 × 80 in. (203.2 × 203.2 cm)
Credit Line
Gift of Louis K. and Susan P. Meisel
Mediums
Mediums Description
acrylic on canvas
Classifications
Subjects
  • Still life — flower
  • Still life — fruit
  • Dress — accessory — jewelry
  • Still life — toy — cards
  • Dress — accessory — makeup
Object Number
2022.11.5

Artwork Description

What do the objects in this painting symbolize? Queen echoes a genre of Renaissance still-life paintings known as "vanitas" that serve as reminders of the inevitability of change and death. In such a work, a pocket watch represents the unrelenting march of time, and a dewy flower is symbolic of youthful beauty that will one day wither.

Audrey Flack has said that she made this painting "for all women, particularly women gamblers"--a reference to her mother, whose portrait appears, alongside the artist's, in the open locket just below the queen of hearts playing card. To the left, Flack depicts another queen--a chess piece, the most powerful in the game and therefore an emblem of female power and importance.

Works by this artist (1036 items)

William H. Johnson, Self-Portrait, ca. 1923-1926, oil on canvas, Smithsonian American Art Museum, Gift of the Harmon Foundation, 1967.59.679
Self-Portrait
Dateca. 1923-1926
oil on canvas
On view
William H. Johnson, Young Pastry Cook, ca. 1928-1930, oil on canvas, Smithsonian American Art Museum, Gift of the Harmon Foundation, 1967.59.693
Young Pastry Cook
Dateca. 1928-1930
oil on canvas
On view
William H. Johnson, Portrait of a Man, ca. 1935-1938, oil on burlap, Smithsonian American Art Museum, Gift of the Harmon Foundation, 1967.59.814
Portrait of a Man
Dateca. 1935-1938
oil on burlap
On view
William H. Johnson, The Breakdown, ca. 1940-1941, oil on plywood, Smithsonian American Art Museum, Gift of the Harmon Foundation, 1967.59.589
The Breakdown
Dateca. 1940-1941
oil on plywood
On view

Videos

More Artworks from the Collection

Awa Tsireh, Sparring Antelopes, ca. 1925-1930, watercolor, ink, and pencil on paper, Smithsonian American Art Museum, Corbin-Henderson Collection, gift of Alice H. Rossin, 1979.144.51
Sparring Antelopes
Dateca. 1925-1930
watercolor, ink, and pencil on paper
Not on view
Thomas Vigil, Antelope Hunters, ca. 1920-1925, watercolor, ink, and pencil on paper, Smithsonian American Art Museum, Corbin-Henderson Collection, Gift of Alice H. Rossin, 1979.144.58
Antelope Hunters
Dateca. 1920-1925
watercolor, ink, and pencil on paper
Not on view
James Fitzgerald, The Fisherman, ca. 1938, watercolor, ink and pencil on paper, Smithsonian American Art Museum, Transfer from the General Services Administration, 1980.133.5
The Fisherman
Dateca. 1938
watercolor, ink and pencil on paper
Not on view
Terry Schoonhoven, Study for Morning Room Murals, U. S. Court of Appeals, Pasadena, California, 1984, watercolor, pen and ink, and pencil on paper, Smithsonian American Art Museum, Transfer from the General Services Administration, 1987.13.1
Study for Morning Room Murals, U. S. Court of Appeals,…
Date1984
watercolor, pen and ink, and pencil on paper
Not on view