Quipu Viscera

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Cecilia Vicuña, Quipu Viscera, 2017, version 2024, site-specific installation of dyed and unspun wool, dimensions variable, Smithsonian American Art Museum, Museum purchase through the American Women’s History Initiative Acquisitions Pool, administered by the Smithsonian American Women’s History Initiative, 2023.28A-B, © 2023, Cecilia Vicuña

Artwork Details

Title
Quipu Viscera
Date
2017, version 2024
Location
Not on view
Dimensions
dimensions variable
Copyright
© 2023, Cecilia Vicuña
Credit Line
Museum purchase through the American Women’s History Initiative Acquisitions Pool, administered by the Smithsonian American Women’s History Initiative
Mediums
Mediums Description
site-specific installation of dyed and unspun wool
Classifications
Subjects
  • Abstract
Object Number
2023.28A-B

Artwork Description

Quipu Viscera is made of hanging skeins of red, brown, and pink unspun wool. As its title suggests, it evokes the body, specifically the female form. The muted pinks on its exterior give way to more saturated tones toward the center, so that the wool becomes a sort of skin that contains the organs and life within.

The word quipu, meaning "knot," comes from the Quechua language that originated in Peru. It refers to the ancient system of record-keeping using hanging, knotted strings developed in the Andes over 5,000 years ago. When the Spanish colonized the region in 1532, they outlawed the use of quipus.

Originally from Chile, Cecilia Vicuña is interested in quipus as a form of forbidden knowledge, passed through generations of Indigenous culture. Vicuña's quipus are large-scale evocations of the form. Instead of replicating the craft, they resurrect and transform it.

Works by this artist (1 item)

Heinrich Bürkel, J. Woelfjle, Der Platzregen (l'averse), n.d., lithograph, Smithsonian American Art Museum, Gift of Mrs. Nigel Cholmeley-Jones, 1967.54.53
Der Platzregen (l’averse)
Daten.d.
lithograph
Not on view

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