Nick Cave: Mammoth
In Mammoth, Nick Cave invites visitors to walk among the fantastical remains of these ancient creatures. His new project envisions a world animated by the power of the past and the transformative possibilities of the imagination.
Description
Nick Cave (b. 1959) is renowned internationally for his work that surreally and seductively addresses issues of race, gender, and identity. Known for the exuberant Soundsuits that he originally created in response to racialized police violence, Cave has long been interested in the intersections of history and identity. With this new body of work, he broadens his view to encompass our connection with the natural world. He remakes the museum’s galleries into an immersive landscape marked by the crafted hides and bones of mammoths, a video projection of the long-dead animals come to life, and a large-scale beaded curtain depicting the Missouri family farm where he spent much of his childhood.
Cave’s exploration of his relationship to nature is at once grounded in history and deeply personal. Mammoth evokes the fraught past and precarious future of the American landscape, his own experience as a Black man within it, and the roots of his creative impulse, in which he learned to transform the raw materials of the world into something full of meaning. In this environment, the mammoths’ emergence conjures the many stories that have been buried and repressed and serves as evidence of their endurance.
Mammoth explores the fundamental entanglement of land and race in the American consciousness. Focused on the most urgent issues of our era, Cave proposes their deep connections, yoking social history in the United States to the primordial earth that sustains it. In Mammoth, he asks how we can begin to make sense of our evolving relationship with an ever more alien environment. How might we adapt, persevere, even thrive? As the contemporary world increasingly puts us face-to-face with forces which threaten our existence, Cave imagines a space of both anguish and possibility.
The exhibition is organized by Sarah Newman, the James Dicke Curator of Contemporary Art with support from Anne Hyland, curatorial associate.