Kara Walker’s series Harper's Pictorial History of the Civil War (Annotated), currently on view at SAAM through March 11, and Spike Lee’s 2000 film Bamboozled, are two great examples of how art has the power to tackle sensitive and important matters. Although these works are very different, they discuss the same things: history, race, gender, and stereotypes.
Are you looking for something cool and entertaining to do this summer? Look no further! "Movies at SAAM" has got you covered. We're excited to bring you a wonderful lineup of movies and guest speakers that will provide a refreshing look into American art.
On June 9 and June 10, Movies at SAAM is proud to co-host a two day film festival with the National Portrait Gallery's Taína Caragol, Curator of Latino Art and History, and SAAM's E. Carmen Ramos, Curator of Latino Art.
As a visual for our film series Movies at SAAM, we've been using Xavier Barile's 42nd Street Nocturne. But did you know this painting hangs in the Luce Foundation Center? Situated in case 36B, Barile's small impressionistic painting shows New York City's 42nd Street Apollo Theatre aglow beneath a starry sky. Not only does this piece exemplify mid-20th-century American art, but it touches on key themes found within the history of film.
Please join us for "Movies at SAAM's" winter season of films about American art and artists. If you enjoy learning about the creative process, history of African American photography, and contemplating the nature of great art, then you're sure to enjoy what we have in store for you.
Is it possible for a painting to describe two histories? Take a step back in time to both the Oregon Trail and the Great Depression, both periods of unknown adventure, uncertainty, hard times, perseverance, and optimism. What links these two eras together? The answer is Helen Lundeberg's 1934 painting Pioneers of the West, now on display in the museum's Luce Foundation Center.