Fact Sheet Picturing the American Buffalo: George Catlin and Modern Native American Artists”

Exhibition

Picturing the American Buffalo: George Catlin and Modern Native American Artists
Oct. 11 – April 12, 2020

Description

In the 19th century, American bison (commonly called the buffalo) thundered across the Great Plains of the American West in the millions. They symbolized the abundance of the land, and for centuries played a vital role in the lives of Native Americans, providing sustenance and spiritual nourishment. Wild and majestic, revered and hunted, buffalo have long captured the popular imagination, and their iconic images figure prominently in America’s art. “Picturing the American Buffalo: George Catlin and Modern Native American Artists” considers the representation of the American buffalo from two perspectives: a selection of paintings by George Catlin (1796–1872) and works by modern Native artists Woody Crumbo, Paul Goodbear, Allan Houser, Julián Martínez, Jaune Quick-To-See Smith, Fritz Scholder, Awa Tsireh, Thomas Vigil and Beatien Yazz. In the 1830s, Catlin journeyed west five times to record, as he called it, the “manners and customs” of Native cultures, painting scenes and portraits from life. His ambitious project was largely fueled by the fear that American Indians, the great buffalo herds and a way of life would one day vanish. The 20th-century sculpture and works on paper included in this installation advance a narrative reassuringly different from Catlin’s: one of vibrance and continuity. With an innovative use of line, form and color, each work affirms both tribal presence and the enduring importance of the buffalo to American Indian cultures. All 45 works on view are from the permanent collection of the Smithsonian American Art Museum.

Opening Program – Picturing the American Buffalo: A Conversation

Wednesday, Oct. 30, at 6 p.m., the museum presents a panel discussion with Adam Duncan Harris from the National Museum of Wildlife Art, David Penney from the Smithsonian’s National Museum of the American Indian and Eleanor Harvey from the Smithsonian American Art Museum.

Credit

“Picturing the American Buffalo: George Catlin and Modern Native American Artists” is organized by the Smithsonian American Art Museum with generous support from the Knobloch Family Foundation, American Prairie Reserve, Tania and Tom Evans, Kavar Kerr, Margery and Edgar Masinter, and Maggie and Dick Scarlett.

# # #


Note to editors: Selected high-resolution images for publication only are available through the museum’s Dropbox account. Email AmericanArtPressOffice@si.edu to request the link.

About the Smithsonian American Art Museum and its Renwick Gallery

The Smithsonian American Art Museum is the flagship museum in the United States for American art and craft. It is home to one of the most significant and inclusive collections of American art in the world. The museum’s main building, located at Eighth and G streets N.W., is open daily from 11:30 a.m. to 7 p.m. The museum’s Renwick Gallery, a branch museum dedicated to contemporary craft, is located on Pennsylvania Avenue at 17th Street N.W. and is open daily from 10 a.m. to 5:30 p.m. Check online for current hours and admission information. Admission is free. Follow the museum on Facebook, Instagram, LinkedIn and YouTube. Smithsonian information: (202) 633-1000. Museum information (recorded): (202) 633-7970. Website: americanart.si.edu.

Press Images

Image of a large bison standing in the foreground
Press - Picturing the American Buffalo: George Catlin and Modern Native American Artists

George Catlin, Buffalo Bull, Grazing on the Prairie, 1832-1833, oil on canvas, Smithsonian American Art Museum, Gift of Mrs. Joseph Harrison, Jr., 1985.66.404