Artist

Art Chantry

born Seattle, WA 1954
Born
Seattle, Washington, United States
Biography

Art Chantry has been making posters since he was fifteen. Among his influences are many forms of "outsider art," such as monster magazines, hot-rod art, and psychedelic culture. He found much inspiration for innovative graphic ideas in an article on Polish posters.

Chantry's sense of design relates to the punk scene in Seattle as he finds himself, with the avant-garde, creating posters for local rock concerts. Chantry has championed what he considers to be the "subculture" of design, a neglected commercial usage of the industrial trade seen in the tool catalogs of the 1940s and 50s.

Born in Seattle and raised in Tacoma, Chantry received what he describes as "a very potent taste of what it's like to be poor in a single-parent family." Chantry attended college in Bellingham, Washington. He graduated with a degree in painting but turned to the graphic work that had been his livelihood through his school years. In a curious way, Chantry's ability to look for and reinvent the out-of-fashion, the purposely outside the mainstream international style, has resulted in his being selected for many exhibition and design magazines. Even with the recognition of his peers, he chooses to remain an outsider, often rejecting work with commercial corporate clients for commissions that allow him to remain on the fringe. As he is now the art director of an alternative Seattle paper, he has the advantage of economic stability with the luxury of working only on projects that interest him.

Therese Thau Heyman Posters American Style (New York and Washington, D.C.: Harry N. Abrams, Inc., in association with the National Museum of American Art, 1998)

Works by this artist (3 items)

Arakawa, Tomb of Chance I, 1974-1980, color lithograph with screenprint on paper, Smithsonian American Art Museum, Gift of Glen D. Nelson, M.D., 1998.57.4, © 1980, Vermillion Editions Limited, Inc. and Shusaku Arakawa; Minneapolis, MN
Tomb of Chance I
Artist
Date1974-1980
color lithograph with screenprint on paper
Not on view
Arakawa, Still Life (A Line Is a Crack), 1967, pencil and watercolor on paper, Smithsonian American Art Museum, Gift of Mr. and Mrs. Daniel Fendrick, 1979.132.1
Still Life (A Line Is a Crack)
Artist
Date1967
pencil and watercolor on paper
Not on view
Diagram of an X‑Ray
Artist
Date1969
screenprint on mylar
Not on view