Artist

Clara Sipprell

born Tillsonburg, ON, Canada 1885-died Bennington, VT 1975
Also known as
  • Clara Estelle Sipprell
  • Clarabelle E. Sipprell
  • Clara E. Sipprell
Born
Tillsonburg, Ontario, Canada
Died
Bennington, Vermont, United States
Active in
  • Buffalo, New York, United States
  • New York, New York, United States
  • Thetford, Vermont, United States
  • Manchester, Vermont, United States
Biography

Throughout her seventy-year career Sipprell created photographs that typify Pictorialism: expressive rather than narrative or documentary , suggesting in her portraits the spiritual quality of the subject rather than a physical likeness.

Even before she began her studies at the Clarence White School in New York City, Sipprell learned about the medium in the Buffalo, New York, portrait photography studio of her older brother Frank Sipprell. At sixteen she ended her formal education in order to work at the studio full time to prepare herself for a career in photography. Sipprell's work reflects not only the early influence of her brother and his colleagues of the Buffalo Camera Club but also her appreciation of Gertrude Kasebier and other members of the New York Pictorialist community. She enjoyed a close relationship with her brother, and, later, his wife, Lucy, who is the subject of this portrait. Sipprell was fond of saying that she learned photography from Frank and aesthetics from Lucy.

Merry A. Foresta American Photographs: The First Century (Washington, D.C.: National Museum of American Art with the Smithsonian Institution Press, 1996)

Works by this artist (744 items)

William Zorach, Seated Girl (with hands under legs), 1930, cast and patinated plaster, Smithsonian American Art Museum, Gift of Tessim Zorach and Dahlov Ipcar, 1971.449.8
Seated Girl (with hands under legs)
Date1930
cast and patinated plaster
On view
William Zorach, Mother and Child (study), ca. 1926, plaster, Smithsonian American Art Museum, Gift of Tessim Zorach and Dahlov Ipcar, 1968.154.153
Mother and Child (study)
Dateca. 1926
plaster
On view
William Zorach, The Builder (study for Chase Bank), ca. 1960, cast and patinated plaster, Smithsonian American Art Museum, Gift of Tessim Zorach and Dahlov Ipcar, 1971.449.29
The Builder (study for Chase Bank)
Dateca. 1960
cast and patinated plaster
On view
William Zorach, Small Head, ca. 1958-1962, carved stone, Smithsonian American Art Museum, Gift of Tessim Zorach and Dahlov Ipcar, 1968.154.9
Small Head
Dateca. 1958-1962
carved stone
On view