Artist

Honoré Sharrer

born West Point, NY 1920-died Washington, DC 2009
Media - portrait_image_113260.jpg - 90184
Photograph by Joan Stormont. Courtesy National Women's Caucus for Art Conference.
Also known as
  • Mrs. Perez Zagorin
  • Honore Sharrer
  • Honore Desmond Sharrer
Born
West Point, New York, United States
Died
Washington, District of Columbia, United States
Biography

Honore Sharrer took her first painting lessons from her mother, who had been a pupil of George Luks. She studied at the California School of Fine Art and at Yale, but left because of her feeling that "the school's academic discipline was … incapable of stimulating the artist to seek what was valuable to express." During World War II Sharrer worked as a welder in a San Francisco shipyard, then came to New York, where her paintings were featured in the Museum of Modern Art's Fourteen Americans exhibition in 1946. Over the course of her career Sharrer has made dramatic changes in subject matter and to some degree in technique. In her early "social realist" paintings she depicted American working people, then went through surrealist phase in which she twisted "everyday basic things" to make them funny. In her recent work she explores myth and fairy tale and combines disjunctive imagery to free herself from "the punishment of 'realism.' "

Virginia M. Mecklenburg Modern American Realism: The Sara Roby Foundation Collection (Washington, D.C.: Smithsonian Institution Press for the National Museum of American Art, 1987)

Works by this artist (3 items)

Ed Paschke, Libertad from the Wisconsin Sesquicentennial Portfolio, 2001, hard-ground, photo-etching, dry-point, aquatint and stencil roll-ups on paper, Smithsonian American Art Museum, Gift of Janet Ann Bond Sutter and Thomas Henry Sutter, 2008.10.1.11, © 2001, Andrew G. Balkin and Renee E.K. Balkin
Libertad from the Wisconsin Sesquicentennial Portfolio
Date2001
hard-ground, photo-etching, dry-point, aquatint and stencil roll-ups on paper
Not on view
Ed Paschke, Untitled, ca. 1976, lithograph on paper, Smithsonian American Art Museum, Gift of the artist, 2000.29
Untitled
Dateca. 1976
lithograph on paper
Not on view
Ed Paschke, Shoe Sack, 1972, oil on canvas, Smithsonian American Art Museum, Gift of the S. W. and B. M. Koffler Foundation, 1979.53.25
Shoe Sack
Date1972
oil on canvas
Not on view

Exhibitions

Media - 1986.6.92 - SAAM-1986.6.92_3 - 135150
Modern American Realism: The Sara Roby Foundation Collection
February 28, 2014August 16, 2014
Modern American Realism: The Sara Roby Foundation Collection presents some of the most treasured artworks from the Smithsonian American Art Museum’s permanent collection, including works by Will Barnet, Isabel Bishop, Paul Cadmus, Arthur Dove, Na