Artist

Robert Loftin Newman

born Richmond, VA 1827-died New York City 1912
Media - portrait_image_113487.jpg - 90273
Photograph by George C. Cox, New York, circa 1890. Cox Collection, Division of Graphic Arts, Smithsonian Institution.
Also known as
  • Robert L. Newman
Born
Richmond, Virginia, United States
Died
New York, New York, United States
Active in
  • Clarksville, Tennessee, United States
Biography

Robert Loftin Newman lived in the Richmond area until 1838, when his mother remarried and moved to Clarksville, Tennessee. On his first trip abroad in 1850, he studied for about five months with Thomas Couture in Paris before returning to Clarksville. On a second trip to Paris in 1854, William Morris Hunt introduced him to J. F. Millet and to Barbizon, where he spent several months.

After his return to this country, Newman remained in Clarksville until the Civil War. After his discharge from the Confederate Army, it would seem that he settled in New York. In 1882 he made a third trip abroad, spending part of his time at Barbizon. Upon his return to New York, he roomed between 1882 and 1892 with Wyatt Eaton. The only exhibition of his work during his lifetime was held at Knoedler Galleries in 1894, with over half of the works included also being shown at the Museum of Fine Arts, Boston. Newman made his last trips abroad in 1908 and again in 1909.

An artist who has been periodically "rediscovered" since his death, most recently a large retrospective mounted by the National Collection of Fine Arts [now the Smithsonian American Art Museum] in 1973, Newman is far too elusive a figure to warrant inclusion in the rolls of Americans most directly indebted to the Barbizon artists. However, vestiges of Barbizon art that Newman understood well enough to assimilate into his own peculiarly radiant style can be found in several of his paintings.

Peter Bermingham American Art in the Barbizon Mood (Washington, D.C.: National Collection of Fine Arts and Smithsonian Institution Press, 1975)

Works by this artist (6 items)

ADÁL, El Puerto Rican Passport, El Spirit Republic de Puerto Rico: Koki Kiki, 1994, issued 2005, lithography with photograph in staple-bound booklet, Smithsonian American Art Museum, Gift of the artist, 2013.19.3, © 2012, ADÁL
El Puerto Rican Passport, El Spirit Republic de Puerto Rico…
Artist
Date1994, issued 2005
lithography with photograph in staple-bound booklet
Not on view
ADÁL, Un Momento Retardado, ca. 1973, gelatin silver print, Smithsonian American Art Museum, Transfer from the National Endowment for the Arts, 1983.63.1, © 1973, ADAL
Un Momento Retardado
Artist
Dateca. 1973
gelatin silver print
Not on view
ADÁL, West Side Story Upside Down, Backwards, Sideways and Out of Focus (La Maleta de Futriaco Martínez), 2002, suitcase, flat-screen LCD monitor, single-channel digital video, color, sound; 12:51 minutes, Smithsonian American Art Museum, Museum purchase through the Luisita L. and Franz H. Denghausen Endowment, 2013.20A-B, © 2002, ADÁL
West Side Story Upside Down, Backwards, Sideways and Out of…
Artist
Date2002
suitcase, flat-screen LCD monitor, single-channel digital video, color, sound; 12:51 minutes
Not on view
ADÁL, El Puerto Rican Passport, El Spirit Republic de Puerto Rico: Luciana Alexandra del Rio de la Serna, 1994, issued 2012, lithography with photograph in staple-bound booklet, Smithsonian American Art Museum, Gift of the artist, 2013.19.2, © 2012, ADÁL
El Puerto Rican Passport, El Spirit Republic de Puerto Rico…
Artist
Date1994, issued 2012
lithography with photograph in staple-bound booklet
Not on view