10828 S. Avalon Blvd., LA

Camilo José Vergara, 10828 S. Avalon Blvd., LA, 2013, inkjet print, Smithsonian American Art Museum, Museum purchase through the Smithsonian Latino Initiatives Pool, administered by the Smithsonian Latino Center, 2015.44.35, © 2013, Camilo José Vergara
Camilo José Vergara, 10828 S. Avalon Blvd., LA, 2013, inkjet print, image: 11 12 × 17 14 in. (29.2 × 43.8 cm) sheet: 15 58 × 19 58 in. (39.7 × 49.8 cm), Smithsonian American Art Museum, Museum purchase through the Smithsonian Latino Initiatives Pool, administered by the Smithsonian Latino Center, 2015.44.35, © 2013, Camilo José Vergara

Artwork Details

Title
10828 S. Avalon Blvd., LA
Date
2013
Location
Not on view
Dimensions
image: 11 12 × 17 14 in. (29.2 × 43.8 cm) sheet: 15 58 × 19 58 in. (39.7 × 49.8 cm)
Copyright
© 2013, Camilo José Vergara
Credit Line
Museum purchase through the Smithsonian Latino Initiatives Pool, administered by the Smithsonian Latino Center
Mediums Description
inkjet print
Classifications
Subjects
  • Architecture Exterior — domestic — house
  • Landscape — California — Los Angeles
  • Figure male — full length
  • Recreation — sport and play
Object Number
2015.44.35

Artwork Description

Camilo José Vergara takes pictures of the same urban building or street over several years. When he began 10828 S. Avalon Blvd., LA in 1980, the building housed a humble African American Baptist Church. After years of shifting fortunes, the original structure was replaced with a residential home catering to the neighborhood's booming Central American community. Vergara's time lapse photographs capture the visual evidence of social, cultural and economic change in America's inner cities.

Works by this artist (1036 items)

William H. Johnson, Breakdown with Flat Tire, ca. 1940-1941, oil on plywood, Smithsonian American Art Museum, Gift of the Harmon Foundation, 1967.59.587
Breakdown with Flat Tire
Dateca. 1940-1941
oil on plywood
On view
William H. Johnson, Chain Gang, ca. 1939, oil on plywood, Smithsonian American Art Museum, Gift of the Harmon Foundation, 1967.59.675
Chain Gang
Dateca. 1939
oil on plywood
On view
William H. Johnson, Midnight Sun, Lofoten, 1937, oil on burlap, Smithsonian American Art Museum, Gift of the Harmon Foundation, 1967.59.907
Midnight Sun, Lofoten
Date1937
oil on burlap
On view
William H. Johnson, Lamentation, ca. 1944, oil on fiberboard, Smithsonian American Art Museum, Gift of the Harmon Foundation, 1967.59.981
Lamentation
Dateca. 1944
oil on fiberboard
On view

More Artworks from the Collection

William H. Johnson, Tunisian Street Scene with Figures, ca. 1932, watercolor and pencil on paper, Smithsonian American Art Museum, Gift of the Harmon Foundation, 1967.59.38
Tunisian Street Scene with Figures
Dateca. 1932
watercolor and pencil on paper
Not on view
Edward Morton, Loggers, 1937, watercolor and pencil on paper, Smithsonian American Art Museum, Transfer from the General Services Administration, 1974.28.150
Loggers
Date1937
watercolor and pencil on paper
Not on view
Terry Schoonhoven, Study for Morning Room Murals, U. S. Court of Appeals, Pasadena, California, 1984, watercolor, pen and ink, and pencil on paper, Smithsonian American Art Museum, Transfer from the General Services Administration, 1987.13.1
Study for Morning Room Murals, U. S. Court of Appeals,…
Date1984
watercolor, pen and ink, and pencil on paper
Not on view
Stone Cutters (mural study, Rockport, Massachusetts Post…
Dateca. 1935-1943
watercolor, pencil and pen and ink on paperboard
Not on view