The Sports Centre at the Clarkstown Country Club, in West Nyack was a versatile venue that hosted baseball games played by minor league teams, barnstorming professionals, local semipro groups of firemen and policemen, and Country Club members. Catering to the Depression-era thirst for varied, affordable entertainment, the Centre also staged boxing and wrestling matches. Eccentric proprietors Pierre A. Bernard and his wife, Blanche de Vries, even maintained a herd of performing elephants.
1934: A New Deal for Artists exhibition label
The New Deal ushered in a heady time for artists in America in the 1930s. Through President Franklin Roosevelt’s programs, the federal government paid artists to paint and sculpt, urging them to look to the nation’s land and people for their subjects. For the next decade — until World War II brought support to a halt — the country’s artists captured the beauty of the countryside, the industry of America’s working people, and the sense of community shared in towns large and small in spite of the Great Depression. Many of these paintings were created in 1934 for a pilot program designed to put artists to works; others were done under the auspices of the WPA that followed. The thousands of paintings, sculptures, and murals placed in schools, post offices, and other public buildings stand as a testimony to the resilience of Americans during one of the most difficult periods of our history.
Smithsonian American Art Museum: Commemorative Guide. Nashville, TN: Beckon Books, 2015.
Baseball at Night
- 37 x 47 1⁄4 in. (94.0 x 120.0 cm.)
- Credit Line
Smithsonian American Art Museum
Gift of Mrs. Morris Kantor
- Mediums Description
- oil on linen
- Occupation – sport – referee
- Figure group
- Occupation – sport – baseball
- Object Number
- Linked Open Data
- Linked Open Data URI