Ceramist Louise Goodman started making animals and other decorative pieces in the 1980s when she noticed a decline in demand for her functional clay objects. Creating animal figures was common among Navajo potters at the time and Goodman became well known for her playful bears. The bears, with their stubby limbs and exaggerated torsos, became Goodman’s most popular pieces. She often added an unexpected detail—a slot in the back to make the bear into a piggy bank. This transformation from figurine to piggy bank is especially fitting as the bear often represents power and plenitude in the Navajo culture.