George Catlin, "Brick Kilns," Clay Bluffs 1900 Miles above St. Louis, 1832, oil on canvas, Smithsonian American Art Museum, Gift of Mrs. Joseph Harrison, Jr., 1985.66.366
By the action of water, or other power, the country seems to have been graded away; leaving occasionally a solitary mound or bluff, rising in a conical form to the height of two or three hundred feet, generally pointed or rounded at the top, and in some places grouped together in great numbers . . . the sides of these conical bluffs (which are composed of strata of different coloured clays), are continually washing down by the effect of the rains and melting of the frost; and the superincumbent masses of pumice and basalt are crumbling off, and falling down to their bases . . . The strata of clay are alternating from red to yellow-white-brown and dark blue; and so curiously arranged, as to form the most pleasing and singular effects.” George Catlin painted this work in 1832 on his first extended voyage up the Missouri River. (Catlin, Letters and Notes, vol. 1, no. 10, 1841; reprint 1973)
Luce Object Quote
“To this group of clay bluffs, which line the river for many miles in distance, the voyageurs have very appropriately given the name of ‘the Brick-kilns;’ owing to their red appearance, which may be discovered in a clear day at the distance of many leagues . . .
"Brick Kilns," Clay Bluffs 1900 Miles above St. Louis
- On View
- Not on view.
11 1/8 x 14 1/4 in. (28.3 x 36.3 cm)
- Credit Line
Smithsonian American Art Museum
Gift of Mrs. Joseph Harrison, Jr.
- Mediums Description
- oil on canvas
- Landscape – United States
- Ethnic – Indian
- Landscape – mountain
- Figure group – male
- Object Number
- Linked Open Data
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