Brooch/​Pendant

Kristina Logan, Brooch/Pendant, 2001, glass and sterling silver, 2 34 diam. x 38 in. (7.11.0 cm), Smithsonian American Art Museum, Museum purchase through the Richard T. Evans Fund, 2002.31

Artwork Details

Title
Brooch/​Pendant
Date
2001
Location
Not on view
Dimensions
2 34 diam. x 38 in. (7.11.0 cm)
Credit Line
Museum purchase through the Richard T. Evans Fund
Mediums
Mediums Description
glass and sterling silver
Classifications
Subjects
  • Dress — accessory — jewelry
Object Number
2002.31

Artwork Description

Kristina Logan often incorporates her glasswork into jewelry because she feels that “there is something deeply spiritual about an object that is made by hand and worn next to the skin.” The dots in Brooch/Pendant are characteristic of Logan’s work. She explains that “dots or circles are one of the most elemental art marks. They are simple and complete.” They may be simple to draw, but the dots are not easily made---Logan painstakingly placed each one by hand to create perfect spacing, a process that has earned her the reputation in the craft world as “The Dot Queen.”

Works by this artist (15 items)

George Bellows, Mr. and Mrs. Phillip Wase, 1924, oil on canvas, Smithsonian American Art Museum, Gift of Paul Mellon, 1967.39.1
Mr. and Mrs. Phillip Wase
Date1924
oil on canvas
On view
George Bellows, The Model, Second Stone, lithograph, Smithsonian American Art Museum, Bequest of Frank McClure, 1979.98.26
The Model, Second Stone
lithograph
Not on view
George Bellows, Vine Clad Shore--Monhegan Island, 1913, oil on canvas, Smithsonian American Art Museum, Gift of Mr. and Mrs. Martin E. Segal, 1997.30
Vine Clad Shore – Monhegan Island
Date1913
oil on canvas
Not on view
George Bellows, The Black Hat, 1921, lithograph on paper, Smithsonian American Art Museum, Museum purchase, 1972.11
The Black Hat
Date1921
lithograph on paper
Not on view

Exhibitions

Media - 2016.11 - SAAM-2016.11_6 - 124929
Connections: Contemporary Craft at the Renwick Gallery
November 13, 2015March 6, 2022
Connections is the Renwick Gallery’s dynamic ongoing permanent collection presentation, featuring more than 80 objects celebrating craft as a discipline and an approach to living differently in the modern world.

More Artworks from the Collection

Claire Falkenstein, City is Man, 1941-1952, linocut, Smithsonian American Art Museum, Gift of The Falkenstein Foundation, 2019.27.14, ©1997, The Falkenstein Foundation
City is Man
Date1941-1952
linocut
Not on view
Claire Falkenstein, Untitled, 1976, embossed paper, Smithsonian American Art Museum, Gift of The Falkenstein Foundation, 2019.27.18, ©1997, The Falkenstein Foundation
Untitled
Date1976
embossed paper
Not on view
Claire Falkenstein, Mandala, 1977, lithograph, Smithsonian American Art Museum, Gift of The Falkenstein Foundation, 2019.27.19, ©1997, The Falkenstein Foundation
Mandala
Date1977
lithograph
Not on view
Les Quais de la Seine a Paris
Date1917
hand-colored etching on postcard
Not on view