Buffalo Grain Elevators

Ralston Crawford, Buffalo Grain Elevators, 1937, oil on canvas, Smithsonian American Art Museum, Museum purchase, 1976.133
Ralston Crawford, Buffalo Grain Elevators, 1937, oil on canvas, 40 1450 14 in. (102.1127.6 cm.), Smithsonian American Art Museum, Museum purchase, 1976.133

Artwork Details

Title
Buffalo Grain Elevators
Date
1937
Dimensions
40 1450 14 in. (102.1127.6 cm.)
Credit Line
Museum purchase
Mediums
Mediums Description
oil on canvas
Classifications
Subjects
  • Landscape — New York — Buffalo
  • Architecture Exterior — industry — grain elevator
Object Number
1976.133

Artwork Description

Beginning in the 1860s, vast reserves of Midwestern grain were shipped across the Great Lakes to Buffalo, where as many as 280 million bushels a year were stored and milled. Crawford intensified the monumental scale and severe beauty of the storehouses by simplifying what he saw into abstract forms. The solid blue tone of the sky becomes a shape all its own, interlocking with the silhouettes of roofs and elevators.
But this painting is more than an artist's exercise. Crawford grew up in the city and shipped aboard Great Lakes freighters with his father. In the late 1930s, Buffalo began to lose its central position in the grain business when Ontario's Welland Canal opened, providing cheaper freight routes to the East Coast. Crawford used chilly colors and raking light to suggest an industrial complex frozen in silence, signaling the end of an era in his hometown.

Works by this artist (4 items)

John Alexander McDougall, Portrait of a Gentleman, ca. 1835, watercolor on ivory, Smithsonian American Art Museum, Museum purchase through the Catherine Walden Myer Fund, 1946.12.2
Portrait of a Gentleman
Dateca. 1835
watercolor on ivory
Not on view
John Alexander McDougall, Emilia Field Brewer, ca. 1875, watercolor on ivory, Smithsonian American Art Museum, Gift of Mrs. David Karrick, 1963.8.1
Emilia Field Brewer
Artist
Dateca. 1875
watercolor on ivory
Not on view
John Alexander McDougall, Portrait of a Gentleman, 1839, watercolor on ivory, Smithsonian American Art Museum, Bequest of Mary Elizabeth Spencer, 1999.27.25.2
Portrait of a Gentleman
Date1839
watercolor on ivory
Not on view
John Alexander McDougall, Portrait of a Lady, 1839, watercolor on ivory, Smithsonian American Art Museum, Bequest of Mary Elizabeth Spencer, 1999.27.25.1
Portrait of a Lady
Date1839
watercolor on ivory
Not on view

More Artworks from the Collection

Carl Weinedel, Charles William McGinnes, 1833, watercolor on ivory, Smithsonian American Art Museum, Museum purchase through the Catherine Walden Myer Fund, 1945.12.3
Charles William McGinnes
Date1833
watercolor on ivory
Not on view
Anson Dickinson, Charles Francis Adams, 1827, watercolor on ivory, Smithsonian American Art Museum, Gift of Mrs. Henry L. Milmore, 1950.4.34
Charles Francis Adams
Date1827
watercolor on ivory
Not on view
Goyena family, Bisonte con palmeras (Bison with Palm Trees), ca. 1825-1850, watercolor on ivory, Smithsonian American Art Museum, Teodoro Vidal Collection, 1996.91.16
Bisonte con palmeras (Bison with Palm Trees)
Artist
Attributed to Goyena family
Dateca. 1825-1850
watercolor on ivory
Not on view
Goyena family, Col. Joaquin Goyena, before 1834, watercolor on ivory, Smithsonian American Art Museum, Teodoro Vidal Collection, 1996.91.15
Col. Joaquin Goyena
Datebefore 1834
watercolor on ivory
Not on view