Chicago Interior

J. Theodore Johnson, Chicago Interior, 1933-1934, oil on canvas, Smithsonian American Art Museum, Transfer from the U.S. Department of Labor, 1964.1.82
J. Theodore Johnson, Chicago Interior, 1933-1934, oil on canvas, 2834 in. (71.286.4 cm.), Smithsonian American Art Museum, Transfer from the U.S. Department of Labor, 1964.1.82

Artwork Details

Title
Chicago Interior
Date
1933-1934
Location
Not on view
Dimensions
2834 in. (71.286.4 cm.)
Credit Line
Transfer from the U.S. Department of Labor
Mediums
Mediums Description
oil on canvas
Classifications
Subjects
  • Recreation — leisure — reading
  • New Deal — Public Works of Art Project — Illinois
  • Architecture Interior — detail — window
  • Portrait female — Johnson, Barbara Salmon — full length
  • Architecture Interior — domestic — bedroom
Object Number
1964.1.82

Artwork Description

The warmth from the radiator is almost palpable in this painting, contrasting with the snowy city seen through the window. The distinctive blue-tiled tower of the American Furniture Mart identifies the setting as Chicago, where artist J. Theodore Johnson and his wife, Barbara Salmon Johnson, came to attend an exhibition of the artist's work shortly after they had wed in New York in December 1931. The artist lovingly portrayed his beautiful young wife reading in their hotel room. The warm browns, yellows, and oranges raise the visual temperature, heightened further by hot touches of red in the drapery and in Mrs. Johnson's lips, cheeks, magazine, and chair. A heavy fur coat laid to dry by the radiator shows that Mrs. Johnson has recently come in to escape the frigid winds from Lake Michigan. Her husband was one of many artists who participated both in the Public Works of Art Project and in later Federal Art Projects. In 1937 and 1939 Johnson returned to Chicago to fulfill commissions from the Treasury Section of Fine Arts for historical murals in the Morgan Park and Oak Park Post Offices.

1934: A New Deal for Artists exhibition label

Works by this artist (162 items)

Mingering Mike, MERCY: "DIG IT" / WELL SHE LOVE'S ME, MINGERING MIKE & HIS FRACTURED SOUL BAND, ca. 1972 - 1975, ink and marker on paper, Smithsonian American Art Museum, Gift of Mike Wilkins and Sheila Duignan and museum purchase through the Luisita L. and Franz H. Denghausen Endowment, 2013.8.85.2, © Mingering Mike
MERCY: DIG IT” / WELL SHE LOVE’S ME, MINGERING MIKE & HIS…
Dateca. 1972 - 1975
ink and marker on paper
Not on view
Mingering Mike, Gold Pot Records: MINGERING MIKE: SWEET WOMAN OF MINE, ca. 1972, ink, marker, crayon, and paint on paperboard, Smithsonian American Art Museum, Gift of Mike Wilkins and Sheila Duignan and museum purchase through the Luisita L. and Franz H. Denghausen Endowment, 2013.8.110, © Mingering Mike
Gold Pot Records: MINGERING MIKE: SWEET WOMAN OF MINE
Dateca. 1972
ink, marker, crayon, and paint on paperboard
Not on view

Related Books

1934_500.jpg
1934: A New Deal for Artists
During the Great Depression, president Franklin Delano Roosevelt promised a “new deal for the American people,” initiating government programs to foster economic recovery. Roosevelt’s pledge to help “the forgotten man” also embraced America’s artists. The Public Works of Art Project (PWAP) enlisted artists to capture “the American Scene” in works of art that would embellish public buildings across the country. Although it lasted less than one year, from December 1933 to June 1934, the PWAP provided employment for thousands of artists, giving them an important role in the country’s recovery. Their legacy, captured in more than fifteen thousand artworks, helped “the American Scene” become America seen.

More Artworks from the Collection

Claire Falkenstein, City is Man, 1941-1952, linocut, Smithsonian American Art Museum, Gift of The Falkenstein Foundation, 2019.27.14, ©1997, The Falkenstein Foundation
City is Man
Date1941-1952
linocut
Not on view
Claire Falkenstein, Untitled, 1976, embossed paper, Smithsonian American Art Museum, Gift of The Falkenstein Foundation, 2019.27.18, ©1997, The Falkenstein Foundation
Untitled
Date1976
embossed paper
Not on view
Claire Falkenstein, Mandala, 1977, lithograph, Smithsonian American Art Museum, Gift of The Falkenstein Foundation, 2019.27.19, ©1997, The Falkenstein Foundation
Mandala
Date1977
lithograph
Not on view
Nathan Oliveira, Site with Blue and White, 1978, monotype, Smithsonian American Art Museum, Bequest of Moses Lasky, 2004.32.14
Site with Blue and White
Date1978
monotype
Not on view