Christopher Burdick

  • Unidentified, Christopher Burdick, ca. 1835, watercolor on ivory, Smithsonian American Art Museum, Museum purchase through the Catherine Walden Myer Fund, 1956.7.2

It is not always possible to identify the sitter in a miniature portrait, and research is still being done on some of the works in the Museum’s collection. Miniatures became popular in England during the early 1700s, commissioned by wealthy families on the occasions of births, engagements, weddings, and bereavements. These paintings, elaborately set into lockets or brooches, provided the wearer with a sentimental connection to a loved one. The back of the miniature often revealed a lock of the sitter’s hair, symbolizing affection, commitment, or loss. The daguerreotype, invented in 1839, provided a cheaper, faster alternative, and portrait miniatures grew less popular. At the turn of the twentieth century, with the establishment of the American Society of Miniature Painters, miniatures enjoyed a brief revival. Conservation of this miniature was made possible through a generous grant provided by the Smithsonian Women’s Committee.

Title
Christopher Burdick
Artist
Date
ca. 1835
Location
Not on view
Dimensions
sight 2 x 1 58 in. (5.14.1 cm) oval
Credit Line

Smithsonian American Art Museum

Museum purchase through the Catherine Walden Myer Fund

Mediums
Mediums Description
watercolor on ivory
Classifications
Keywords
  • Portrait male – Burdick, Christopher – bust
Object Number
1956.7.2
Palette
Linked Open Data
Linked Open Data URI

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