Unidentified, Conrad Wunder, 1797, gouache, Smithsonian American Art Museum, Bequest of Mary Elizabeth Spencer, 1999.27.52
It is not always possible to identify the sitter in a miniature portrait, and research is still being done on some of the works in the Museum’s collection. Miniatures became popular in England during the early 1700s, commissioned by wealthy families on the occasions of births, engagements, weddings, and bereavements. These paintings, elaborately set into lockets or brooches, provided the wearer with a sentimental connection to a loved one. The back of the miniature often revealed a lock of the sitter’s hair, symbolizing affection, commitment, or loss.
- On View
- Not on view.
sight 5 1/2 x 3 7/8 in. (14.0 x 9.7 cm)
- Credit Line
Smithsonian American Art Museum
Bequest of Mary Elizabeth Spencer
- Portrait male – Wunder, Conrad – bust
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- Linked Open Data
- Linked Open Data URI