Death Mask of Hiram Powers

  • Joel Tanner Hart, Thomas Ball, Death Mask of Hiram Powers, 1873, plaster, Smithsonian American Art Museum, Museum purchase in memory of Ralph Cross Johnson, 1968.155.176

Luce Center Label

Hiram Powers was a gifted American sculptor who spent much of his life in Italy. His most famous work, Greek Slave, was the first fully nude life-size female sculpture put on public exhibition in the United States. Thomas Ball came to know Powers in Florence and the two developed a close friendship; the artist even had his villa built next to Powers’s home. Ball was deeply affected by the loss of his friend, whose death was due in part to silicosis, a lung condition he acquired from years of inhaling marble particles. He and Joel Tanner Hart, another American sculptor living in Italy, commemorated Powers’s life in poetry and by molding a death mask directly from his face. This tradition had become very popular by the nineteenth century. The artist carefully preserved his friend’s naturally calm expression, suggesting that he met death peacefully.

Luce Object Quote

“But now those eyes so wonderful are closed,

Those cunning fingers all to sleep composed;

And I am here to guard his sacred dust,

While he, made perfect, walketh with the just.” Thomas Ball, “To Hiram Powers”

Title
Death Mask of Hiram Powers
Artists
Date
1873
On View
Dimensions
9 3/8 x 6 1/2 x 9 3/8 in. (23.8 x 16.6 x 23.8 cm.)
Credit Line

Smithsonian American Art Museum

Museum purchase in memory of Ralph Cross Johnson

Mediums
Mediums Description
plaster
Classifications
Keywords
  • Portrait male – Powers, Hiram – head
  • Portrait male – Powers, Hiram
  • State of being – death
Object Number
1968.155.176
Palette
Linked Open Data
Linked Open Data URI

More from artist

modeled ca. 1867
marble
modeled ca. 1868, carved 1872
marble

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