Every new opinion, at its starting, is precisely in a minority of one.” – Thomas Carlyle, Heroes and Hero Worship, II, 1840, lecture in London, May 8. From the series Great Ideas of Western Man.

Herbert Bayer, "Every new opinion, at its starting, is precisely in a minority of one."--Thomas Carlyle, Heroes and Hero Worship, II, 1840, lecture in London, May 8. From the series Great Ideas of Western Man., 1961, metal, overall (includes base): 14 7813 1212 12 in. (37.934.331.9 cm) overall: 12 1212 3413 12 in. (31.932.434.3 cm), Smithsonian American Art Museum, Gift of Container Corporation of America, 1984.124.25

Artwork Details

Title
Every new opinion, at its starting, is precisely in a minority of one.” – Thomas Carlyle, Heroes and Hero Worship, II, 1840, lecture in London, May 8. From the series Great Ideas of Western Man.
Date
1961
Dimensions
overall (includes base): 14 7813 1212 12 in. (37.934.331.9 cm) overall: 12 1212 3413 12 in. (31.932.434.3 cm)
Credit Line
Gift of Container Corporation of America
Mediums
Mediums Description
metal
Classifications
Subjects
  • Abstract
Object Number
1984.124.25

Artwork Description

Herbert Bayer developed the advertising campaign “Great Ideas of Western Man” for the Container Corporation of America, where he was a design consultant for twenty years. This series of advertisements combined graphic images with insightful quotes, and featured work by artists Rudolf Hoflehner, Edgard Pillet, and Paul Rand. Thomas Carlyle’s idea is reflected in the composition of the piece. One rod in the center of the chaotic construction stands out from the others, representing the “minority of one” whose ideas change our lives.

Works by this artist (3 items)

Alfred Stieglitz, Georgia O'Keeffe--Hand and Wheel, 1933, printed ca. 1945, gelatin silver print, Smithsonian American Art Museum, Museum purchase made possible by Albert H. Small, 2020.1.2
Georgia O’Keeffe – Hand and Wheel
Date1933, printed ca. 1945
gelatin silver print
Not on view
Alfred Stieglitz, The Steerage, 1907, printed 1915, photogravure, Smithsonian American Art Museum, Museum purchase, 1974.33.3A
The Steerage
Date1907, printed 1915
photogravure
Not on view
Alfred Stieglitz, 291, Nos. 7-8, Sept.-Oct. 1915, 1915, text, typeset on paper, Smithsonian American Art Museum, Museum purchase, 1974.33.3B
291, Nos. 7 – 8, Sept.-Oct. 1915
Date1915
text, typeset on paper
Not on view

More Artworks from the Collection

Edward Greene Malbone, Mrs. John Corlis (Susannah Condé Russell), 1795, watercolor on ivory, Smithsonian American Art Museum, Museum purchase, 1980.29.2
Mrs. John Corlis (Susannah Condé Russell)
Date1795
watercolor on ivory
Not on view
Unidentified, Joseph Fox, 1790s, watercolor on ivory, Smithsonian American Art Museum, Bequest of Mary Elizabeth Spencer, 1999.27.68
Joseph Fox
Artist
Unidentified
Date1790s
watercolor on ivory
Not on view
Lawrence Sully, Portrait of a Lady from S. Carolina Huguenot Family, ca. 1795, watercolor on ivory, Smithsonian American Art Museum, Gift of Mrs. Henry L. Milmore, 1950.4.5
Portrait of a Lady from S. Carolina Huguenot Family
Dateca. 1795
watercolor on ivory
Not on view
Unidentified (British), Sir Guy Carelton, ca. 1770, watercolor on ivory, Smithsonian American Art Museum, Gift of Mrs. Henry L. Milmore, 1950.4.20
Sir Guy Carelton
Artist
Unidentified (British)
Dateca. 1770
watercolor on ivory
Not on view