Fermented Soil

Hans Hofmann, Fermented Soil, 1965, oil on canvas, Smithsonian American Art Museum, Gift of S.C. Johnson & Son, Inc., 1966.84.1
Hans Hofmann, Fermented Soil, 1965, oil on canvas, 4860 in. (121.8152.4 cm.), Smithsonian American Art Museum, Gift of S.C. Johnson & Son, Inc., 1966.84.1

Artwork Details

Title
Fermented Soil
Artist
Date
1965
Location
Not on view
Dimensions
4860 in. (121.8152.4 cm.)
Credit Line
Gift of S.C. Johnson & Son, Inc.
Mediums
Mediums Description
oil on canvas
Classifications
Subjects
  • Abstract
Object Number
1966.84.1

Artwork Description

One of the most influential art teachers of the first half of the twentieth century, Hans Hofmann came late to the brilliant abstractions that brought him fame as one of the country's leading modernist painters. He had lived in Paris from 1904 to 1914, knew Picasso, studied alongside Matisse, and saw first-hand the great 1906 Cézanne retrospective. In 1932, Hofmann immigrated to the United States and opened art schools in New York and Provincetown. Students who flocked to his classes were surprised that the renowned modernist set up traditional still lifes and required students to draw from models. But, he said, they needed to understand that modernist concepts of volume and void and the movement of color in space (a concept he called "push and pull") reflect the way forms function in the natural world.

Modern Masters: Midcentury Abstraction from the Smithsonian American Art Museum, 2008

Works by this artist (7 items)

I. Rice Pereira, Roselit Day, 1953, oil on canvas, Smithsonian American Art Museum, Gift of Leslie Bokor, 1973.190
Roselit Day
Date1953
oil on canvas
On view
I. Rice Pereira, Untitled (Boats at Cape Cod), 1932, oil on canvas, Smithsonian American Art Museum, Gift of Djelloul Marbrook, 1988.80
Untitled (Boats at Cape Cod)
Date1932
oil on canvas
Not on view
I. Rice Pereira, Sketch for Machine Composition #2, ca. 1936, pencil and crayon on paper, Smithsonian American Art Museum, Gift of Patricia and Phillip Frost, 1986.92.73
Sketch for Machine Composition #2
Dateca. 1936
pencil and crayon on paper
Not on view

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Dateca. 1945-1950
gelatin silver print
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