Fish Decoy

John Cross, Fish Decoy, 20th century, carved and painted wood, painted copper sheet, ferrous eye hook, lead weight, and glass eyes, Smithsonian American Art Museum, Gift of Alastair B. Martin, 1999.67.10
John Cross, Fish Decoy, 20th century, carved and painted wood, painted copper sheet, ferrous eye hook, lead weight, and glass eyes, 1 126 382 18 in. (3.816.35.5 cm), Smithsonian American Art Museum, Gift of Alastair B. Martin, 1999.67.10

Artwork Details

Title
Fish Decoy
Artist
Date
20th century
Dimensions
1 126 382 18 in. (3.816.35.5 cm)
Credit Line
Gift of Alastair B. Martin
Mediums Description
carved and painted wood, painted copper sheet, ferrous eye hook, lead weight, and glass eyes
Classifications
Subjects
  • Animal — fish
Object Number
1999.67.10

Artwork Description

Carved fish decoys are one of the earliest forms of American folk art. Hunters around the Bering Sea first used small bone or ivory decoys for ice fishing around 1000 AD. They believed that the decoys embodied the innua, or inner spirit of the fish. The practice spread to upstate New York and the Great Lakes, where it became a tourist industry with many communities growing around prime fishing areas. Ice fishing was banned in 1905, however, because the popularity of the sport had brought about a serious decline in large game fish. During the Depression, many hunters and fishermen turned again to fish spearing for survival. The decoys from this period are simpler, focusing on realistic shapes, colors, and movement rather than fanciful decoration (Steven Michaan, American Fish Decoys, 2003).

Works by this artist (1 item)

Susan L. Iverson, Ancient Burial IV--Night, 1989, wool on linen warp, Smithsonian American Art Museum, Gift of Ellen Jane and Rogers Hollingsworth, 2003.23A-C
Ancient Burial IV – Night
Date1989
wool on linen warp
Not on view

More Artworks from the Collection

Bently
Dateca. 1975
gelatin silver print
Not on view
Martin Stupich, Broad Street trench with workman, 1977-1978, gelatin silver print, Smithsonian American Art Museum, Transfer from the National Endowment for the Arts, 1983.63.1564
Broad Street trench with workman
Date1977-1978
gelatin silver print
Not on view