Freeform Basket

Darryl Arawjo, Karen Arawjo, Freeform Basket, 1995, white oak and walnut, Smithsonian American Art Museum, Gift of Martha G. Ware and Steven R. Cole, 2011.47.4
Darryl Arawjo, Karen Arawjo, Freeform Basket, 1995, white oak and walnut, 2 789 148 18 in. (7.223.520.6 cm), Smithsonian American Art Museum, Gift of Martha G. Ware and Steven R. Cole, 2011.47.4

Artwork Details

Title
Freeform Basket
Date
1995
Location
Not on view
Dimensions
2 789 148 18 in. (7.223.520.6 cm)
Credit Line
Gift of Martha G. Ware and Steven R. Cole
Mediums
Mediums Description
white oak and walnut
Classifications
Object Number
2011.47.4

Works by this artist (22 items)

Arthur Wesley Dow, Brittany Farm, 1885, oil on canvas, Smithsonian American Art Museum, Gift of the James F. Dicke Family, 2014.11.3
Brittany Farm
Date1885
oil on canvas
On view
Arthur Wesley Dow, Ipswich Prints: Fragment of old brocade, Persian design, 1901/published 1902, photo-mechanical relief reproduction on paper, Smithsonian American Art Museum, Gift of Mrs. F. F. Reinert, 1976.96.2.2
Ipswich Prints: Fragment of old brocade, Persian design
Date1901/published 1902
photo-mechanical relief reproduction on paper
Not on view
Arthur Wesley Dow, Ipswich Prints: Oldtown Hill, 1901, photo-mechanical relief reproduction on paper, Smithsonian American Art Museum, Gift of Mrs. F. F. Reinert, 1976.96.1
Ipswich Prints: Oldtown Hill
Date1901
photo-mechanical relief reproduction on paper
Not on view
Arthur Wesley Dow, The Lotos, 1896, color lithograph on paper mounted on paperboard, Smithsonian American Art Museum, Transfer by exchange with Georgetown University, 1981.111.4
The Lotos
Date1896
color lithograph on paper mounted on paperboard
Not on view

Related Books

Baskets_500.jpg
A Measure of the Earth
A Measure of the Earth provides an window into the traditional basketry revival of the past fifty years. Nicholas Bell’s essay details the longstanding use of traditional fibers, such as black ash, white oak, willow, and sweetgrass and the perseverance of a select few to harvest these elements—the land itself—for the enrichment of daily life. Drawing on conversations with basketmakers from across the country and reproducing many of their documentary photographs, Bell offers an intimate glimpse of their lifeways, motivations, and hopes. Lavish illustrations of every basket in the exhibition convey the humble, tactile beauty of these functional vessels.

More Artworks from the Collection

New York Cultural Center
Artist
Date1973
color lithograph
Not on view
Robert Motherwell, Saint Louis Symphony Orchestra, 1973, color lithograph poster, Smithsonian American Art Museum, Gift of Telamon Editions Limited, 1976.152.2
Saint Louis Symphony Orchestra
Date1973
color lithograph poster
Not on view
Romaine Brooks, Untitled (Caught by the Collar), ca. 1930, photomechanical reproduction on paper, Smithsonian American Art Museum, Gift of the artist, 1968.90.14
Untitled (Caught by the Collar)
Dateca. 1930
photomechanical reproduction on paper
Not on view
Romaine Brooks, Climbing One's Wings, ca. 1930, photomechanical reproduction on paper, Smithsonian American Art Museum, Gift of the artist, 1968.90.27
Climbing One’s Wings
Dateca. 1930
photomechanical reproduction on paper
Not on view