George Tilyou’s Steeplechase

Reginald Marsh, George Tilyou's Steeplechase, 1932, oil and egg tempera on linen mounted on fiberboard, Smithsonian American Art Museum, Gift of the Sara Roby Foundation, 1986.6.60
Reginald Marsh, George Tilyou's Steeplechase, 1932, oil and egg tempera on linen mounted on fiberboard, 30 1840 18 in. (76.5101.8 cm.), Smithsonian American Art Museum, Gift of the Sara Roby Foundation, 1986.6.60

Artwork Details

Title
George Tilyou’s Steeplechase
Date
1932
Location
Not on view
Dimensions
30 1840 18 in. (76.5101.8 cm.)
Credit Line
Gift of the Sara Roby Foundation
Mediums
Mediums Description
oil and egg tempera on linen mounted on fiberboard
Classifications
Subjects
  • Figure group
  • Architecture Exterior — commercial — recreation
  • Recreation — sport and play — racing
Object Number
1986.6.60

Artwork Description

Steeplechase Park was one of three amusement parks at Coney Island in Brooklyn. Here Marsh showed a couple astride one of the mechanical horses that raced around the Pavilion of Fun on iron rails that, in places, were as high as thirty-five feet above the ground. The nested bodies of the sailor and the girl exude the passion of young love, although the strained expression on the woman’s face may signal the transience of their affection.


Modern American Realism: The Sara Roby Foundation Collection, 2014

Works by this artist (8 items)

John Cage, Not Wanting to Say Anything about Marcel, Lithograph A, 1969, color lithograph on paper, Smithsonian American Art Museum, Museum purchase, 1972.96
Not Wanting to Say Anything about Marcel, Lithograph A
Date1969
color lithograph on paper
Not on view
John Cage, Seven Day Diary (Not Knowing), Day Seven, 1978, color etching with hard ground etching, drypoint, sugar aquatint, photo etching, and found objects, Smithsonian American Art Museum, Bequest of Moses Lasky, 2004.32.5.7
Seven Day Diary (Not Knowing), Day Seven
Date1978
color etching with hard ground etching, drypoint, sugar aquatint, photo etching, and found objects
Not on view
John Cage, Seven Day Diary (Not Knowing), Day Five, 1978, hard and soft ground etching, drypoint, sugar aquatint, photo etching, and found objects, Smithsonian American Art Museum, Bequest of Moses Lasky, 2004.32.5.5
Seven Day Diary (Not Knowing), Day Five
Date1978
hard and soft ground etching, drypoint, sugar aquatint, photo etching, and found objects
Not on view
John Cage, Seven Day Diary (Not Knowing), Day Six, 1978, color etching with hard and soft ground etching, drypoint, sugar aquatint, photo etching and found objects, Smithsonian American Art Museum, Bequest of Moses Lasky, 2004.32.5.6
Seven Day Diary (Not Knowing), Day Six
Date1978
color etching with hard and soft ground etching, drypoint, sugar aquatint, photo etching and found objects
Not on view

Exhibitions

Media - 1986.6.100 - SAAM-1986.6.100_2 - 135134
Modern American Realism: Highlights from the Sara Roby Foundation Collection
This exhibition presents some of the most treasured paintings and sculpture from SAAM’s permanent collection, including artworks by Will Barnet, Isabel Bishop, Paul Cadmus, Edward Hopper, Yasuo Kuniyoshi, Jacob Lawrence, George Tooker, among others.

More Artworks from the Collection

Al Blaustein, Family and Friends, ca. 1967, pen and ink and pencil on paper, Smithsonian American Art Museum, Gift of the Sara Roby Foundation, 1985.30.4
Family and Friends
Dateca. 1967
pen and ink and pencil on paper
Not on view
William H. Johnson, Soldiers Standing with Rifles, ca. 1941-1942, recto: pen and ink and pencil on paper
verso: pencil on paper, Smithsonian American Art Museum, Gift of the Harmon Foundation, 1967.59.564R-V
Soldiers Standing with Rifles
Dateca. 1941-1942
recto: pen and ink and pencil on paper verso: pencil on paper
Not on view
William H. Johnson, Storefront Church, ca. 1940-1941, pen and ink and pencil with wash on paper, Smithsonian American Art Museum, Gift of the Harmon Foundation, 1967.59.566
Storefront Church
Dateca. 1940-1941
pen and ink and pencil with wash on paper
Not on view
William H. Johnson, Mountains and Blossoming Trees, Norway, ca. 1935-1938, brush and ink and pencil on paper, Smithsonian American Art Museum, Gift of the Harmon Foundation, 1967.59.127
Mountains and Blossoming Trees, Norway
Dateca. 1935-1938
brush and ink and pencil on paper
Not on view