High Hill, Norway

William H. Johnson, High Hill, Norway, ca. 1935-1938, pen and ink, pencil and tempera on paper, Smithsonian American Art Museum, Gift of the Harmon Foundation, 1967.59.121
William H. Johnson, High Hill, Norway, ca. 1935-1938, pen and ink, pencil and tempera on paper, 19 5824 58 in. (49.862.7 cm) irregular, Smithsonian American Art Museum, Gift of the Harmon Foundation, 1967.59.121

Artwork Details

Title
High Hill, Norway
Date
ca. 1935-1938
Location
Not on view
Dimensions
19 5824 58 in. (49.862.7 cm) irregular
Credit Line
Gift of the Harmon Foundation
Mediums Description
pen and ink, pencil and tempera on paper
Classifications
Subjects
  • Architecture Exterior — domestic — house
  • Landscape — Norway
  • Landscape — mountain
Object Number
1967.59.121

Works by this artist (1 item)

Joseph Hochfeld, Tunnel Construction, 1940, watercolor and pencil on paper, Smithsonian American Art Museum, Transfer from the General Services Administration, 1974.28.261
Tunnel Construction
Date1940
watercolor and pencil on paper
Not on view

More Artworks from the Collection

Unidentified, William H. Johnson, Seated Female Nude on Brown Chair, ca. 1939-1940, recto: tempera on paper
verso: tempera, charcoal, and pencil on paper, Smithsonian American Art Museum, Gift of the Harmon Foundation, 1967.59.254R-V
Seated Female Nude on Brown Chair
Artist
Dateca. 1939-1940
recto: tempera on paper verso: tempera, charcoal, and pencil on paper
Not on view
William H. Johnson, Standing Female Nude, ca. 1939-1940, recto: watercolor, tempera and pencil on paper
verso: charcoal on paper, Smithsonian American Art Museum, Gift of the Harmon Foundation, 1967.59.210R-V
Standing Female Nude
Dateca. 1939-1940
recto: watercolor, tempera and pencil on paper verso: charcoal on paper
Not on view
William H. Johnson, Male Nude on Yellow Stool, ca. 1939-1940, recto: tempera on paper
verso: pencil and charcoal on paper, Smithsonian American Art Museum, Gift of the Harmon Foundation, 1967.59.201R-V
Male Nude on Yellow Stool
Dateca. 1939-1940
recto: tempera on paper verso: pencil and charcoal on paper
Not on view