Hmong Veteran, from the series Attention

Pao Houa Her, Hmong Veteran, from the series Attention, 2012, archival pigment print mounted on aluminum composite, framed, Smithsonian American Art Museum, Museum purchase through the Luisita L. and Franz H. Denghausen Endowment, in partnership with the Smithsonian Asian Pacific American Center, 2023.34.1.5, Courtesy of the artist and Bockley Gallery. © Pao Houa Her
Pao Houa Her, Hmong Veteran, from the series Attention, 2012, archival pigment print mounted on aluminum composite, framed, 52 38 × 42 14 × 1 38 in. (133.0 × 107.3 × 3.5 cm), Smithsonian American Art Museum, Museum purchase through the Luisita L. and Franz H. Denghausen Endowment, in partnership with the Smithsonian Asian Pacific American Center, 2023.34.1.5, Courtesy of the artist and Bockley Gallery. © Pao Houa Her

Artwork Details

Title
Hmong Veteran, from the series Attention
Artist
Date
2012
Dimensions
52 38 × 42 14 × 1 38 in. (133.0 × 107.3 × 3.5 cm)
Copyright
Courtesy of the artist and Bockley Gallery. © Pao Houa Her
Credit Line
Museum purchase through the Luisita L. and Franz H. Denghausen Endowment, in partnership with the Smithsonian Asian Pacific American Center
Mediums Description
archival pigment print mounted on aluminum composite, framed
Classifications
Subjects
  • Portrait male
  • Occupation — military
  • Dress — uniform — military uniform
Object Number
2023.34.1.5

Artwork Description

Pao Houa Her created the Attention series after attending a distant uncle's funeral, where to her surprise she witnessed a military-style ceremony performed by Hmong men in uniform. The men told Her they were not affiliated with any branch of the US military. They had learned the burial rites from YouTube videos, and had purchased all their uniforms, pins, and medals.   

The men belonged to the Special Guerrilla Units that had been trained and led into combat by the CIA in Laos during the Vietnam War, in which an estimated thirty-five thousand Hmong soldiers died. After the war, these veterans and their families fled to the United States, establishing today's Hmong American diaspora. Echoing traditions of official portraiture in Western art, Her's photographs express the men's continuing desire to re-insert themselves into US military history through self-fashioning, drawing attention to their omission from official narratives.

Works by this artist (15 items)

William H. Rau, Full Moon, n.d., albumen silver print mounted to stereographic card, Smithsonian American Art Museum, Museum purchase from the Charles Isaacs Collection made possible in part by the Luisita L. and Franz H. Denghausen Endowment, 1994.91.245
Full Moon
Daten.d.
albumen silver print mounted to stereographic card
Not on view
William H. Rau, Admiral Dewey, Hero of Manila, after 1898, albumen silver prints mounted to stereographic card, Smithsonian American Art Museum, Museum purchase from the Charles Isaacs Collection made possible in part by the Luisita L. and Franz H. Denghausen Endowment, 1994.91.242
Admiral Dewey, Hero of Manila
Dateafter 1898
albumen silver prints mounted to stereographic card
Not on view
William H. Rau, Sampson's Fleet. A Gunner of the "Iowa", 1898, albumen silver print mounted to stereographic card, Smithsonian American Art Museum, Museum Purchase from the Charles Isaacs Collection made possible in part by the Luisita L. and Franz H. Denghausen Endowment, 1994.91.238
Sampson’s Fleet. A Gunner of the Iowa”
Date1898
albumen silver print mounted to stereographic card
Not on view

More Artworks from the Collection

David Haxton, Vertical and Receding Lines, 1974, 16mm film, black and white, silent; 05:30 minutes, Smithsonian American Art Museum, Gift of the artist, 2011.15.2, © 1974, David Haxton
Vertical and Receding Lines
Date1974
16mm film, black and white, silent; 05:30 minutes
Not on view
Hans Breder, Quanta, 1967, single-channel video, color, silent; 03:46 minutes, Smithsonian American Art Museum, Gift of the artist, 2013.50.4, © 1967, Hans Breder
Quanta
Date1967
single-channel video, color, silent; 03:46 minutes
Not on view
Eureka
Date1974
16 mm Plus-X print, black and white, silent; 30:00 minutes
Not on view
Carolee Schneemann, Viet Flakes, 1965, 16mm film transferred to video, toned black & white, sound; 07:00 minutes, Smithsonian American Art Museum, Museum purchase made possible by the Ford Motor Company, 2008.21.9, © 1965 Carolee Schneemann Foundation. Courtesy Electronic Arts Intermix, NY
Viet Flakes
Date1965
16mm film transferred to video, toned black & white, sound; 07:00 minutes
Not on view