Hmong Veteran, from the series Attention

Pao Houa Her, Hmong Veteran, from the series Attention, 2014, archival pigment print mounted on aluminum composite, framed, Smithsonian American Art Museum, Museum purchase through the Luisita L. and Franz H. Denghausen Endowment, in partnership with the Smithsonian Asian Pacific American Center, 2023.34.1.6, Courtesy of the artist and Bockley Gallery. © Pao Houa Her
Pao Houa Her, Hmong Veteran, from the series Attention, 2014, archival pigment print mounted on aluminum composite, framed, 52 38 × 42 14 × 1 38 in. (133.0 × 107.3 × 3.5 cm), Smithsonian American Art Museum, Museum purchase through the Luisita L. and Franz H. Denghausen Endowment, in partnership with the Smithsonian Asian Pacific American Center, 2023.34.1.6, Courtesy of the artist and Bockley Gallery. © Pao Houa Her

Artwork Details

Title
Hmong Veteran, from the series Attention
Artist
Date
2014
Dimensions
52 38 × 42 14 × 1 38 in. (133.0 × 107.3 × 3.5 cm)
Copyright
Courtesy of the artist and Bockley Gallery. © Pao Houa Her
Credit Line
Museum purchase through the Luisita L. and Franz H. Denghausen Endowment, in partnership with the Smithsonian Asian Pacific American Center
Mediums Description
archival pigment print mounted on aluminum composite, framed
Classifications
Subjects
  • Portrait male
  • Occupation — military
  • Dress — uniform — military uniform
Object Number
2023.34.1.6

Artwork Description

Pao Houa Her created the Attention series after attending a distant uncle's funeral, where to her surprise she witnessed a military-style ceremony performed by Hmong men in uniform. The men told Her they were not affiliated with any branch of the US military. They had learned the burial rites from YouTube videos, and had purchased all their uniforms, pins, and medals.   

The men belonged to the Special Guerrilla Units that had been trained and led into combat by the CIA in Laos during the Vietnam War, in which an estimated thirty-five thousand Hmong soldiers died. After the war, these veterans and their families fled to the United States, establishing today's Hmong American diaspora. Echoing traditions of official portraiture in Western art, Her's photographs express the men's continuing desire to re-insert themselves into US military history through self-fashioning, drawing attention to their omission from official narratives.

Works by this artist (3 items)

Rico Gatson, History Lessons, 2004, four-channel video, color, sound; 10:12 minutes, Smithsonian American Art Museum, Museum purchase through the Luisita L. and Franz H. Denghausen Endowment, 2015.7.2, © 2004, Aunrico Gatson
History Lessons
Date2004
four-channel video, color, sound; 10:12 minutes
Not on view
Rico Gatson, Jungle, Jungle, 2001, single-channel video, color, sound; 02:40 minutes, Smithsonian American Art Museum, Museum purchase through the Luisita L. and Franz H. Denghausen Endowment, 2015.7.3, © 2001, Aunrico Gatson
Jungle, Jungle
Date2001
single-channel video, color, sound; 02:40 minutes
Not on view
Rico Gatson, Gun Play, 2001, single-channel video, color, sound; 02:35 minutes, Smithsonian American Art Museum, Museum purchase through the Luisita L. and Franz H. Denghausen Endowment, 2015.7.1, © 2001, Aunrico Gatson
Gun Play
Date2001
single-channel video, color, sound; 02:35 minutes
Not on view

More Artworks from the Collection

Cat Mazza, Knit for Defense, 2011-2012, single-channel digital video, black and white, surround sound; 9:10 minutes, Smithsonian American Art Museum, Gift of the artist, 2012.28, © 2012, Cat Mazza
Knit for Defense
Date2011-2012
single-channel digital video, black and white, surround sound; 9:10 minutes
Not on view
Kota Ezawa, LYAM 3D, 2008, digital animation, color, silent; 04:00 minutes, Smithsonian American Art Museum, Museum purchase made possible through Deaccession Funds, 2010.23, © 2008, Kota Ezawa
LYAM 3D
Date2008
digital animation, color, silent; 04:00 minutes
Not on view
Rico Gatson, History Lessons, 2004, four-channel video, color, sound; 10:12 minutes, Smithsonian American Art Museum, Museum purchase through the Luisita L. and Franz H. Denghausen Endowment, 2015.7.2, © 2004, Aunrico Gatson
History Lessons
Date2004
four-channel video, color, sound; 10:12 minutes
Not on view
The Passage
Date2009
single-channel video, color, sound; 19:00 minutes
Not on view