Iceman Crucified #4

Ralph Fasanella, Iceman Crucified #4, 1958, oil on canvas, 3625 in. (91.463.5 cm), Smithsonian American Art Museum, Gift of the estate of Ralph Fasanella, 2013.69, © 1958, Estate of Ralph Fasanella

Artwork Details

Title
Iceman Crucified #4
Date
1958
Dimensions
3625 in. (91.463.5 cm)
Copyright
© 1958, Estate of Ralph Fasanella
Credit Line
Gift of the estate of Ralph Fasanella
Mediums Description
oil on canvas
Classifications
Subjects
  • Religion — New Testament — Crucifixion
  • Occupation — service
  • Italian
  • Figure male
  • Figure group
Object Number
2013.69

Artwork Description

The Iceman Crucified series encapsulates some of Fasanella’s most powerful and poignant artistic themes. His father—Joe the Iceman—is cast as the crucified Christ to explore ideas of suffering and sacrifice, memory and personal growth. The series was a turning point for Fasanella; his artistic vision broke free from the confines of realism and his imagery became deeply personal.

As a child, Ralph worked alongside his father on his ice delivery route, putting in long hard days on tough streets. Iceman Crucified #4 was the final work in and pinnacle of the series. In it Fasanella encompasses old and new worlds and is simultaneously nostalgic and celebratory. The Christ figure is transformed into a heroic presence, serene and full of grace. The traditional INRI is replaced with the phrase that came to be equated with the artist himself: “Lest We Forget”—a clear message to viewers to remember who we are and where we come from.

Works by this artist (6 items)

Paul Rand, "When men can freely communicate their thoughts and their sufferings, real or imaginary, their passions spend themselves in air, like gunpowder scattered upon the surface; but pent up by terrors, they work unseen, burst forth in a moment, and destroy everything in their course."--Thomas Erskine, on the Advantages of Free Speech, Rex v. Paine, 1792. From the series Great Ideas of Western Man., 1954, crayon, nail, and photomechanical reproduction on wood, Smithsonian American Art Museum, Gift of Container Corporation of America, 1984.124.242
When men can freely communicate their thoughts and their…
Date1954
crayon, nail, and photomechanical reproduction on wood
On view
Paul Rand, MINUTE MAN, 1974, offset lithograph on paper, Smithsonian American Art Museum, Source unknown, 1997.33
MINUTE MAN
Date1974
offset lithograph on paper
Not on view
Paul Rand, United States, from the United Nations Series, 1945, gouache on paper mounted on paperboard, Smithsonian American Art Museum, Gift of Container Corporation of America, 1984.124.244
United States, from the United Nations Series
Date1945
gouache on paper mounted on paperboard
Not on view
Paul Rand, U. S., from the United Nations Series, 1945, gouache on paperboard, Smithsonian American Art Museum, Gift of Container Corporation of America, 1984.124.243
U. S., from the United Nations Series
Date1945
gouache on paperboard
Not on view

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Date1941-1952
linocut
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Claire Falkenstein, Untitled, 1976, embossed paper, Smithsonian American Art Museum, Gift of The Falkenstein Foundation, 2019.27.18, ©1997, The Falkenstein Foundation
Untitled
Date1976
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Claire Falkenstein, Mandala, 1977, lithograph, Smithsonian American Art Museum, Gift of The Falkenstein Foundation, 2019.27.19, ©1997, The Falkenstein Foundation
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Date1977
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