Immolation, from the portfolio On Fire”

Judy Chicago, Immolation, from the portfolio "On Fire", 1972, printed 2013, inkjet print on paper, Smithsonian American Art Museum, Museum Purchase through the Luisita L. and Franz H. Denghausen Endowment, 2018.11.6
Copied Judy Chicago, Immolation, from the portfolio "On Fire", 1972, printed 2013, inkjet print on paper, image: 16 × 16 in. (40.6 × 40.6 cm) sheet: 24 × 24 in. (61 × 61 cm), Smithsonian American Art Museum, Museum Purchase through the Luisita L. and Franz H. Denghausen Endowment, 2018.11.6

Artwork Details

Title
Immolation, from the portfolio On Fire”
Artist
Date
1972, printed 2013
Dimensions
image: 16 × 16 in. (40.6 × 40.6 cm) sheet: 24 × 24 in. (61 × 61 cm)
Credit Line
Museum Purchase through the Luisita L. and Franz H. Denghausen Endowment
Mediums Description
inkjet print on paper
Classifications
Object Number
2018.11.6

Artwork Description

Judy Chicago's Atmospheres are pyrotechnic performances that temporarily alter and animate the landscape through explosions of brilliant color. A pathbreaking feminist artist, Chicago developed the Atmospheres in the late 1960s, in response to prominent male artists who favored a vocabulary of cutting, digging, and displacement when working in the land. By contrast, Chicago uses colored smoke and flares, "never to dominate but rather to transform--not to overpower, but to change . . ." Upon creating the first Atmosphere, she observed, "the whole world was feminized--if only for a moment."

After Chicago launched the country's first feminist art program at Fresno State College in 1970, her Atmospheres shifted towards woman-centric imagery, with students participating as performers. Their bodies painted in vivid color, the women ritualistically acted out primal scenes of inventing fire and igniting spiritual energy.