Protected in Bliss

Matilda Damon, Protected in Bliss, 1991, handspun wool with native and vegetable dyes, Smithsonian American Art Museum, Gift of Chuck and Jan Rosenak and museum purchase made possible by Ralph Cross Johnson, 1997.124.186
Copied Matilda Damon, Protected in Bliss, 1991, handspun wool with native and vegetable dyes, 24 1823 14 in. (61.259.0 cm), Smithsonian American Art Museum, Gift of Chuck and Jan Rosenak and museum purchase made possible by Ralph Cross Johnson, 1997.124.186

Artwork Details

Title
Protected in Bliss
Date
1991
Dimensions
24 1823 14 in. (61.259.0 cm)
Credit Line
Gift of Chuck and Jan Rosenak and museum purchase made possible by Ralph Cross Johnson
Mediums
Mediums Description
handspun wool with native and vegetable dyes
Classifications
Subjects
  • Animal — bird
  • Indian — Navajo
  • Figure group — bust
Object Number
1997.124.186

Artwork Description

Matilda wanted to explode what was expected of a traditional rug weaver. She wanted to open doors of creativity.
--Shaundina Watson, eldest daughter of Damon

Protected in Bliss is a round rug depicting an eagle protecting a Diné (Navajo) couple. The artist learned to weave from her mother, Mary Ann Damon, whose sought-after rug designs supported the family. Mary Ann taught Matilda all the skills involved with weaving, many of which began long before they sat down at the loom: Matilda cared for a flock of sheep, then sheered, cleaned, spun, and dyed the wool, and gathered plants for the dyes. Mary Ann also encouraged Matilda to find her own artistic voice, and the artist distinguished herself with the rounded form and pictorial designs. In turn, Matilda devoted summers to sharing her knowledge with her young children, whether by teaching them to read or weave rugs. From start to finish, this artwork carries the joy and love of family.

Exhibitions

Media - 2019.15 - SAAM-2019.15_1 - 137377
Subversive, Skilled, Sublime: Fiber Art by Women
May 31, 2024January 5, 2025
The artists in Subversive, Skilled, Sublime: Fiber Art by Women mastered and subverted the everyday materials of cotton, felt, and wool to create deeply personal artworks.