Jackpot Machine

Media - 1995.37 - SAAM-1995.37_1 - 12545
Copied Wayne Thiebaud, Jackpot Machine, 1962, oil on canvas, 38 x 26 7⁄8 in. (96.5 x 68.3 cm.), Smithsonian American Art Museum, Museum purchase made possible by the American Art Forum and gift of an anonymous donor, 1995.37

Artwork Details

Title
Jackpot Machine
Artist
Date
1962
Location
Not on view
Dimensions
38 x 26 7⁄8 in. (96.5 x 68.3 cm.)
Markings
lower right in grey paint: 1962/Thiebaud upper horizontal stretcher bar verso upper left: 27 (written in a circle of dashes) (written at an angle) upper horizontal stretcher bar verso upper center stamped: WAYNE THIEBAUD/1970 5th AVE/SACRAMENTO, CALIF. upper horizontal stretcher bar verso upper center in black ink: Thiebaud upper horizontal stretcher bar verso upper right in black ink: "JACKPOT" 27" x 38/oil 1962 verso lower right of right vertical stretcher bar in red ink: 3 (small circle) vertical line (arrow pointing left) TOP
Credit Line
Museum purchase made possible by the American Art Forum and gift of an anonymous donor
Mediums
Mediums Description
oil on canvas
Classifications
Highlights
Keywords
  • Recreation — sport and play — slot machine
Object Number
1995.37
Linked Open Data
https://edan.si.edu/saam/id/object/1995.37

Artwork Description

Thiebaud painted Jackpot Machine just as he broke into the national scene after years of surviving on commercial art and cartooning. A coin slot peers over the top edge of the machine like one wary eye. The one-armed bandit blocks the viewer's path and the pay slot gapes as if to say "your money or your life." But the image is as seductive as it is aggressive. Thiebaud believes that "painting is more important than art," and he uses luscious paint to capture the jacked-up colors of California's unabashedly commercial culture. Creamy strokes of red, white, and blue invite the viewer to follow the American dream, grab the handle and get rich quick, like all those who come to the West Coast looking for the prize. Only two out of three tokens line up, however, as if Thiebaud wanted to point out how random success can be.

Exhibition Label, Smithsonian American Art Museum, 2006

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