Landscape with Farm and Mountains

Charles Codman, Landscape with Farm and Mountains, 1832, oil on wood, Smithsonian American Art Museum, Museum purchase, 1973.157
Charles Codman, Landscape with Farm and Mountains, 1832, oil on wood, 2126 in. (53.366.0 cm.), Smithsonian American Art Museum, Museum purchase, 1973.157
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Artwork Details

Title
Landscape with Farm and Mountains
Date
1832
Dimensions
2126 in. (53.366.0 cm.)
Credit Line
Museum purchase
Mediums
Mediums Description
oil on wood
Classifications
Subjects
  • Landscape — farm
  • Landscape — mountain
  • Figure group
Object Number
1973.157

Artwork Description

Charles Codman was one of the first professional artists to paint the landscape of Maine, although he often combined elements from his imagination with on-the-spot sketches. The country’s natural landscape fascinated Americans of the 1830s, who wanted to enjoy its untamed quality even as their settlements encroached on the wilderness. Codman emphasized this contradiction by showing a hay cart, figures, and a small shack against a dramatic view of the mountains. This intimate, domestic scene of people going about their everyday lives contrasts with the vast expanse of uninhabited wilderness behind them.

Works by this artist (10 items)

Albert E. Flanagan, Pelham Bay, Spring, 1922, watercolor, Smithsonian American Art Museum, Transfer from S.I., Cooper-Hewitt Museum of Decorative Arts and Design, 1970.277
Pelham Bay, Spring
Date1922
watercolor
Not on view
Albert E. Flanagan, The Magic City, 1935, etching on paper, Smithsonian American Art Museum, Transfer from S.I., Cooper-Hewitt Museum of Decorative Arts and Design, 1970.273
The Magic City
Date1935
etching on paper
Not on view
Albert E. Flanagan, Flower Study, 1960, watercolor, Smithsonian American Art Museum, Transfer from S.I., Cooper-Hewitt Museum of Decorative Arts and Design, 1970.271
Flower Study
Date1960
watercolor
Not on view
Albert E. Flanagan, Wild Flowers from the Engadine, 1928, watercolor, Smithsonian American Art Museum, Transfer from S.I., Cooper-Hewitt Museum of Decorative Arts and Design, 1970.279
Wild Flowers from the Engadine
Date1928
watercolor
Not on view

More Artworks from the Collection

Unidentified, Untitled (Child's quilt), ca. 1930, cotton and wool, Smithsonian American Art Museum, Gift of Patricia S. Smith, 2016.57.1
Untitled (Child’s quilt)
Artist
Unidentified
Dateca. 1930
cotton and wool
Not on view
Unidentified, Untitled (Amish Doll), ca. 1940, cotton, Smithsonian American Art Museum, Gift of Patricia S. Smith, 2016.57.11
Untitled (Amish Doll)
Artist
Unidentified
Dateca. 1940
cotton
Not on view
Richard Timothy Evans, Miss Havisham (Scrap Doll), ca. 1975, muslin and lace, Smithsonian American Art Museum, Museum purchase, 1975.138
Miss Havisham (Scrap Doll)
Dateca. 1975
muslin and lace
Not on view
Natasha Kempers-Cullen, Joie de Vivre, 1995, painted, printed, beaded, pieced, appliquéd, and machine-quilted commercial fabrics with glass and metallic beads, charms, antique buttons, and semi-precious stones, Smithsonian American Art Museum, Gift of Cynthia Boyer and Eleanor T. and Samuel J. Rosenfeld, 2000.34
Joie de Vivre
Date1995
painted, printed, beaded, pieced, appliquéd, and machine-quilted commercial fabrics with glass and metallic beads, charms, antique buttons, and semi-precious stones
Not on view