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The nation’s first collection of American art, an unparalleled record of the American experience.

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Located just feet from the White House, a branch of the museum that is home the nation's collection of contemporary craft and decorative art.

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Regardless of the monetary value of your artwork, if it is personally meaningful, you should consider having the object conserved.

Recording a Changing Nation

This resource uses images from photographic surveys in 55 communities in 30 states across the United States as source documents to spark sustained inquiry.

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Detail of brown ceramic jar with writing and the signature "Dave" inscribed around the top.

David “Dave” Drake: Potter and Poet

Craftsman David “Dave” Drake, enslaved for most of his life, produced uncommonly large ceramic jars in 19th-century South Carolina adorned by his poetic verses

Artist Tanya Aguiñiga wearing a suit made of glass elements while standing next to the U.S./Mexico border wall

Exploring Border Stories with Artist Tanya Aguiñiga

Curator Mary Savig details an artist’s journey to create the powerful performance work Metabolizing the Border that explores the physical and psychological experiences migrants face while crossing the borderlands.

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Lear and Cordelia

Media - 1967.54.29 - SAAM-1967.54.29_1 - 129418

Copied Richard Hatfield, Gilbert Stuart Newton, Lear and Cordelia, 1845, engraving, no measurements, Smithsonian American Art Museum, Gift of Mrs. Nigel Cholmeley-Jones, 1967.54.29

Free to use

Artwork Details

Title: Lear and Cordelia
Artists: Richard Hatfield
Copy after Gilbert Stuart Newton
Date: 1845
Location: Not on view
Dimensions: no measurements
Credit Line: Gift of Mrs. Nigel Cholmeley-Jones
Mediums Description: engraving
Classifications: Graphic Arts
Print
Keywords: Literature — character — Cordelia
Literature — Shakespeare — King Lear
Object Number: 1967.54.29
Linked Open Data: https://edan.si.edu/saam/id/object/1967.54.29

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Lear and Cordelia

Artwork Details