Light Fan

Sam Gilliam, Light Fan, 1966, acrylic on canvas, Smithsonian American Art Museum, Gift of the Woodward Foundation, 1977.48.2
Sam Gilliam, Light Fan, 1966, acrylic on canvas, 36 1436 in. (92.191.4 cm), Smithsonian American Art Museum, Gift of the Woodward Foundation, 1977.48.2

Artwork Details

Title
Light Fan
Artist
Date
1966
Location
Not on view
Dimensions
36 1436 in. (92.191.4 cm)
Credit Line
Gift of the Woodward Foundation
Mediums
Mediums Description
acrylic on canvas
Classifications
Subjects
  • Abstract
Object Number
1977.48.2

Artwork Description

Light Fan has the feel of an image seen from space – a sunrise observed from an orbiting capsule through a window struck by a ray of light or the blue and green depths of an ocean giving way to sunwarmed shallows. The effect is diaphanous; color has bled in irregular pools as the tidal pull of capillary action moved wet pigment around a field of color on a finely woven fabric. Edges freely shift in a way that is both accidental and controlled.


African American Art: Harlem Renaissance, Civil Rights Era, and Beyond, 2012

Works by this artist (22 items)

Sam Gilliam, Swing, 1969, acrylic and aluminum on canvas, Smithsonian American Art Museum, Gift of Mr. Edwin Janss, Jr., 1973.189
Swing
Date1969
acrylic and aluminum on canvas
On view
Sam Gilliam, Buoy Landscape IV, from the suite Buoy Landscape, 1982, intaglio with screenprint on paper, Smithsonian American Art Museum, Gift of Glen D. Nelson, M.D., 1998.57.9.4, © 1982, Vermillion Editions Limited, Inc. and Sam Gilliam; Minneapolis, MN
Buoy Landscape IV, from the suite Buoy Landscape
Date1982
intaglio with screenprint on paper
Not on view
Sam Gilliam, Buoy Landscape III, from the suite Buoy Landscape, 1982, intaglio with screenprint on paper, Smithsonian American Art Museum, Gift of Glen D. Nelson, M.D., 1998.57.9.3, © 1982, Vermillion Editions Limited, Inc. and Sam Gilliam; Minneapolis, MN
Buoy Landscape III, from the suite Buoy Landscape
Date1982
intaglio with screenprint on paper
Not on view
Sam Gilliam, Campus Center View, 1967-1977, painted fiber and paper, wood, stone, fabric, and plastic assembled on wood base in plexiglass case, Smithsonian American Art Museum, Transfer from the General Services Administration, Art-in-Architecture Program, 1979.159.42
Campus Center View
Date1967-1977
painted fiber and paper, wood, stone, fabric, and plastic assembled on wood base in plexiglass case
Not on view

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      An interview with the artist Sam Gilliam. Sam Gilliam grew up in Tupelo, Mississippi, and studied art in Louisville, Kentucky. In 1962 he moved to Washington, D.C., and created abstract paintings inspired by the Washington Color School artists Morris Louis and Kenneth Noland. These artists, among others, broke the rules of abstract expressionism by pouring thinned paint directly onto unprimed canvas instead of applying thick, vigorous brushstrokes. Gilliam pushed this method even further by folding and draping the canvas before it dried, creating unusual "tie-dye" effects. He started working with very large canvases in the late 1960s, hanging vast pieces of painted cloth across walls and ceilings to emphasize the relationship between the work and its environment.

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