Living Inside

Sadie Benning, Living Inside, 1989, single-channel video, black and white, sound; 05:10 minutes, Smithsonian American Art Museum, Museum purchase through the Samuel and Blanche Koffler Acquisition Fund, 2015.8.4, © 1989, Sadie Benning
Sadie Benning, Living Inside, 1989, single-channel video, black and white, sound; 05:10 minutes, Smithsonian American Art Museum, Museum purchase through the Samuel and Blanche Koffler Acquisition Fund, 2015.8.4, © 1989, Sadie Benning

Artwork Details

Title
Living Inside
Date
1989
Location
Not on view
Copyright
© 1989, Sadie Benning
Credit Line
Museum purchase through the Samuel and Blanche Koffler Acquisition Fund
Mediums
Mediums Description
single-channel video, black and white, sound; 05:10 minutes
Classifications
Subjects
  • Allegory — life
Object Number
2015.8.4

Artwork Description

Sadie Benning recorded personal video diaries in the late 1980s and early 1990s while they were in high school. Using a toy PixelVision camera made by Fisher Price, Benning speaks to the machine as if they could make it understand. Their camera’s intimate field of view contrasts that of a cold and impersonal surveillance system, as they describe their feelings of alienation and the experience of self-discovery. These diaries are prescient works that portend YouTube and youthful digital culture with an extraordinary eloquence.

Watch This!: Revelations in Media Art, 2015

Works by this artist (14 items)

Nellie Mae Rowe, At the Art Gallery, 1979, crayon and felt tip on paper, Smithsonian American Art Museum, Museum purchase through the Luisita L. and Franz H. Denghausen Endowment and the American Women's History Initiative Acquisitions Pool, administered by the Smithsonian American Women's History Initiative, 2021.29.10
At the Art Gallery
Date1979
crayon and felt tip on paper
Not on view
Nellie Mae Rowe, Untitled (Four-Leaf Clover and Little Zebra), 1980, marker on silver gelatin print, Smithsonian American Art Museum, Museum purchase through the Luisita L. and Franz H. Denghausen Endowment and the American Women's History Initiative Acquisitions Pool, administered by the Smithsonian American Women's History Initiative, 2021.29.6
Untitled (Four-Leaf Clover and Little Zebra)
Date1980
marker on silver gelatin print
Not on view
Nellie Mae Rowe, Church Lady in Pants Suit, 1980, crayon and pencil on paper, Smithsonian American Art Museum, Museum purchase through the Luisita L. and Franz H. Denghausen Endowment and the American Women's History Initiative Acquisitions Pool, administered by the Smithsonian American Women's History Initiative, 2021.29.9
Church Lady in Pants Suit
Date1980
crayon and pencil on paper
Not on view
Nellie Mae Rowe, Untitled (Landscape with Black Girl), ca. 1980, crayon on paper, Smithsonian American Art Museum, Gift of Chuck and Jan Rosenak and museum purchase through the Luisita L. and Franz H. Denghausen Endowment, 1997.124.131
Untitled (Landscape with Black Girl)
Dateca. 1980
crayon on paper
Not on view

More Artworks from the Collection

Nellie Mae Rowe, Church Lady in Pants Suit, 1980, crayon and pencil on paper, Smithsonian American Art Museum, Museum purchase through the Luisita L. and Franz H. Denghausen Endowment and the American Women's History Initiative Acquisitions Pool, administered by the Smithsonian American Women's History Initiative, 2021.29.9
Church Lady in Pants Suit
Date1980
crayon and pencil on paper
Not on view
Man Ray, Détachement-soulever le fil-regarder le dessín, 1970, felt-tipped pen and ink, crayon, pencil, string and postage stamp on paper, Smithsonian American Art Museum, Gift of Juliet Man Ray, 1980.102.3
Détachement-soulever le fil-regarder le dessín
Artist
Date1970
felt-tipped pen and ink, crayon, pencil, string and postage stamp on paper
Not on view
Bill Beirne, Cross Reference, production notes (directional diagram), 1976, crayon, pencil, and ink on paper with additions in collage, Smithsonian American Art Museum, Museum purchase through the Gene Davis Memorial Fund, 2015.6.6, © 1976, Bill Beirne
Cross Reference, production notes (directional diagram)
Date1976
crayon, pencil, and ink on paper with additions in collage
Not on view